1. 芍薬群蝶図, 若冲 Flower and Butterfly, Jakuchu Greeting Cards

Itō Jakuchū (1716-1800) was an Eccentric Japanese painter of the mid-Edo period. Though many of his paintings concern traditionally Japanese subjects, particularly chickens and other birds, his painting style and methods were heavily influenced by Western painting. Many of his otherwise traditional works display a great degree of experimentation with perspective, and with other very modern stylistic elements.

Though compared to Soga Shōhaku and other exemplars of the mid-Edo period eccentric painters, Jakuchū is said to have been very calm, restrained, and professional. He held strong ties to Zen Buddhist ideals, and was considered a lay brother (koji); but he was also keenly aware of his role within a Kyoto society that was becoming increasingly commercial.

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Greeting Card

Keep in touch with Zazzle custom greeting cards. Customize all parts of this folded card – inside and out, front and back – for free!

5" x 7" (portrait) or 7" x 5" (landscape).
Printed on ultra-heavyweight (120 lb.) card stock with a gloss finish.
Each card comes with a white envelope.
No minimum order.
May be available on Note Card size
Postage rate for this size card (up to 1 oz) is $0.45

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1. 芍薬群蝶図, 若冲 Flower and Butterfly, Jakuchu Greeting Cards

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£2.20

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1. 芍薬群蝶図, 若冲 Flower and Butterfly, Jakuchu

Itō Jakuchū (1716-1800) was an Eccentric Japanese painter of the mid-Edo period. Though many of his paintings concern traditionally Japanese subjects, particularly chickens and other birds, his painting style and methods were heavily influenced by Western painting. Many of his otherwise traditional works display a great degree of experimentation with perspective, and with other very modern stylistic elements.

Though compared to Soga Shōhaku and other exemplars of the mid-Edo period eccentric painters, Jakuchū is said to have been very calm, restrained, and professional. He held strong ties to Zen Buddhist ideals, and was considered a lay brother (koji); but he was also keenly aware of his role within a Kyoto society that was becoming increasingly commercial.

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