The Cakewalk is a traditional African American form of music and dance which originated among slaves in the Southern United States. The form was originally known as the chalk line walk; it takes its name from competitions slaveholders sometimes held, in which they offered slices of hoecakes as prizes for the best dancers. The dance was invented as a satirical parody of the formal European ballroom dances preferred by white slave owners, and featured exaggerated imitations of the dance ritual, combined with traditional African dance steps. One common form of cakewalk dance involved couples linked at the elbows, lining up in a circle, dancing forward alternating a series of short hopping steps with a series of very high kicking steps. Costumes worn for the cakewalk often included large, exaggerated bow ties, suits, canes, and top hats. The syncopated music of the cakewalk became a nationally popular force in American mainstream music, and with growing complexity and sophistication evolved into ragtime music in the mid 1890s. The music was adopted into the works of various white composers, including John Philip Sousa and Claude Debussy.