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Bathers at Asnieres (Une baignade à Asnières) is an oil-on-canvas painting by the French artist Georges-Pierre Seurat, the first of his two masterpieces on the monumental scale. Seurat borrowed from sources such as those of the fresco painters of the 15th century, the French classicism of Nicolas Poussin, and of contemporary Impressionism to create a unified canvas of a suburban, but placid Parisian riverside scene. Georges Seurat (1859 – 1891) was a French Post-Impressionist painter and draftsman. His large work A Sunday Afternoon on the Island of La Grande Jatte (1884–1886), his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting.