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Bolivia Official Coat Of Arms Heraldry Symbol Bumper Sticker

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Bolivia Official Coat Of Arms Heraldry Symbol Bumper Sticker
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Make your car a reflection of you! Get your point across with this quality bumper sticker that will outlast heavy rain, intense sunlight, and the most severe of traffic jams.

  • 28 X 7.7 cm (11" x 3"); Large enough for any message
  • 100% weatherproof
  • Made from durable vinyl with a strong adhesive back
  • Printed with water-resistant ink that won't fade or run
  • Please note, stickers are fully printed and are not translucent or clear
  • No minimum order
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Bolivia Official Coat Of Arms Heraldry Symbol Bumper Sticker
Historically, they were used by knights to identify them apart from enemy soldiers. In Continental Europe, commoners were able to adopt burgher arms. Unlike seals and emblems, coats of arms have a formal description that is expressed as a blazon. In the 21st century, coats of arms are still in use by a variety of institutions and individuals (for example several universities have guidelines on how their coats of arms may be used and protect their use). The art of designing, displaying, describing and recording arms is called heraldry. The use of coats of arms by countries, states, provinces, towns and villages is called civic heraldry. In the heraldic traditions of England and Scotland an individual, rather than a family, had a coat of arms. In those traditions coats of arms are legal property transmitted from father to son; wives and daughters could also bear arms modified to indicate their relation to the current holder of the arms. Undifferenced arms are used only by one person at any given time. Other descendants of the original bearer could bear the ancestral arms only with some difference: usually a colour change or the addition of a distinguishing charge. One such charge is the label, which in British usage (outside the Royal Family) is now always the mark of an heir apparent. Because of their importance in identification, particularly in seals on legal documents, the use of arms was strictly regulated; few countries continue in this today. This has been carried out by heralds and the study of coats of arms is therefore called "heraldry". Some other traditions (e.g., Polish heraldry) are less restrictive — allowing, for example, all members of a dynastic house or family to use the same arms, although one or more elements may be reserved to the head of the house. In time, the use of coat of arms spread from military entities to educational institutes, and other establishments. According to a design institute article, "The modern logo and corporate livery have evolved from the battle standard and military uniform of mediaeval times". In his book, The Visual Culture of Violence in the Late Middle Ages, Valentin Groebner argues that the images composed on coats of arms are in many cases designed to convey a feeling of power and strength, often in military terms. The author Helen Stuart argues that some coat of arms were a form of corporate logo. Museums on mediaeval coat of arms also point out that as emblems they may be viewed as a pre-cursors to the corporate logos of modern society, used for group identity formation. The American Great Seal is often said to be the coat of arms of the United States. The blazon ("Paleways of 13 pieces, argent and gules; a chief, azure") is intentionally improper to preserve the symbolic number 13. Most American states generally have seals, which fill the role of a coat of arms. However, the state of Vermont (founded as the independant Vermont Republic) follows the American convention of assigning use of a seal for authenticating official state documents and also has its own separate coat of arms. Many American social fraternities and sororities, especially college organisations, use coats of arms in their symbolism. These arms vary widely in their level of adherence to European heraldic tradition. Organisations formed outside the United States with U.S. membership also may have a coat of arms. Roman Catholic dioceses and cathedrals have a coat of arms. Note that not all personal or corporate insignia are heraldic, though they may share many features. For example, flags are used to identify ships (where they are called ensigns), embassies and such, and they use the same colours and designs found in heraldry, but they are not usually considered to be heraldic. A country may have both a national flag and a national coat of arms, and the two may not look alike at all. For example, the flag of Scotland (St Andrew's Cross) has a white saltire on a blue field, but the royal arms of Scotland has a red lion within a double tressure on a gold (or) field. The Vatican has its own coat of arms. As the Papacy is not hereditary, its occupants display their personal arms combined with those of their office. Some Popes came from armigerous (noble) families; others adopted coats of arms during their career in the church. The latter typically allude to their ideal of life, or to specific Pontifical programmes.[11] A well known and widely displayed example in recent times was Pope John Paul II's coat of arms. His selection of a large letter M (for Mary) on his coat of arms was intended to express the message of his strong Marian devotion. Roman Catholic Dioceses also are assigned a coat of arms. A Basilica, or papal church also gets a coat of arms, which is usually displayed on the building. These may be used in countries which otherwise do not use heraldic devices. In Scotland, the Lord Lyon King of Arms has criminal jurisdiction to enforce the laws of arms. In England, Northern Ireland and Wales the use of arms is a matter of civil law and regulated from the College of Arms. In reference to a dispute over the exercise of authority over the Officers of Arms, Arthur Annesley, 1st Earl of Anglesey, Lord Privy Seal, declared on 16 June 1673 that the powers of the Earl Marshal were "to order, judge, and determine all matters touching arms, ensigns of nobility, honour, and chivalry; to make laws, ordinances, and statutes for the good government of the Officers of Arms; to nominate Officers to fill vacancies in the College of Arms; to punish and correct Officers of Arms for misbehaviour in the execution of their places". It was further declared that no patents of arms or any ensigns of nobility should be granted and no augmentation, alteration, or addition should be made to arms without the consent of the Earl Marshal. Today, the term "coat of arms" is frequently applied in two different ways. In some uses, it may indicate a full achievement of arms or heraldic achievement, which includes a variety of elements — usually a crest sitting atop a helmet, itself sitting on a shield; other common elements include supporters holding up the shield and a motto (beneath in England, above in Scotland). Some people wrongly use "coat of arms" or "arms" to refer to the escutcheon (i.e., the shield itself), or to one of several designs that may be combined in one shield. (Note that the crest is one specific part of a heraldic achievement and that "crest of arms" is a misnomer.) The "coat of arms" frequently are adorned with a device - a motto, emblem, or other mark used to distinguish the bearer from others. If a motto is a part of the achievement, it sometimes has some punning allusion to the owner's name. A device differs from a badge or cognizance primarily because it is a personal distinction, and not a badge borne by members of the same house successively. Heraldry is the profession, study, or art of devising, granting, and blazoning arms and ruling on questions of rank or protocol, as exercised by an officer of arms. Heraldry comes from Anglo-Norman herald, from the Germanic compound *harja-waldaz, "army commander". The word, in its most general sense, encompasses all matters relating to the duties and responsibilities of officers of arms. To most, though, heraldry is the practice of designing, displaying, describing, and recording coats of arms and badges. Historically, it has been variously described as "the shorthand of history" and "the floral border in the garden of history."The origins of heraldry lie in the need to distinguish participants in combat when their faces were hidden by iron and steel helmets. Eventually a formal system of rules developed into ever more complex forms of heraldry. The system of blazoning arms that is used in English-speaking countries today was developed by the officers of arms in the Middle Ages. This includes a stylised description of the escutcheon (shield), the crest, and, if present, supporters, mottoes, and other insignia. Certain rules apply, such as the Rule of tincture, and a thorough understanding of these rules is a key to the art of heraldry. The rules and terminology do differ from country to country, indeed several national styles had developed by the end of the Middle Ages, but there are some aspects that carry over internationally. Though heraldry is nearly 900 years old, it is still very much in use. Many cities and towns in Europe and around the world still make use of arms. Personal heraldry, both legally protected and lawfully assumed, has continued to be used around the world. Heraldic societies exist to promote education and understanding about the subject. Bolivia, officially Plurinational State of Bolivia (Spanish: Estado Plurinacional de Bolivia,[5] [esˈtaðo pluɾinasjoˈnal de βoˈliβja]), is a landlocked country in central South America. It is bordered by Brazil to the north and east, Paraguay and Argentina to the south, and Chile and Peru to the west. Prior to European colonisation, the Bolivian territory was a part of the Inca Empire, which was the largest state in Pre-Columbian America. The Spanish Empire conquered the region in the 16th century. During most of the Spanish colonial period, this territory was called "Upper Peru" or "Charcas" and was under the administration of the Viceroyalty of Peru, which included most of Spain's South American colonies. After declaring independence in 1809, 16 years of war followed before the establishment of the republic, named for Simón Bolívar, on August 6, 1825. Bolivia has struggled through periods of political instability, dictatorships and economic woes. Bolivia is a democratic republic, divided into nine departments. Its geography is varied from the peaks of the Andes in the west, to the eastern lowlands, situated within the Amazon Basin. It is a developing country, with a medium Human Development Index score, and a poverty level around 60%. Its main economic activities include agriculture, forestry and fishing, mining and manufacturing goods such as textiles, clothing, refined metals, and refined petroleum. Bolivia is very wealthy in minerals especially Tin. The Bolivian population, estimated at 9 million, is multiethnic, including Amerindians, Mestizos, Europeans and to a lesser extent Asians and Africans. The main language spoken is Spanish, although the Aymara and Quechua languages are also common. The large number of different cultures within Bolivia has contributed greatly to a wide diversity in fields such as art, cuisine, literature and music. There are two capitols of Bolivia, La Paz and Sucre. The struggle for independence started in 1809, and after 16 years of war the republic was proclaimed on August 6, 1825, named for Simón Bolívar. In 1836, Bolivia, under the rule of Marshal Andrés de Santa Cruz, invaded Peru to reinstall the deposed president, General Luis José de Orbegoso. Peru and Bolivia formed the Peru-Bolivian Confederation, with de Santa Cruz as the Supreme Protector. Following tension between the Confederation and Chile, Chile declared war on December 28, 1836. Argentina, Chile's ally, declared war on the Confederation on May 9, 1837. The Peruvian-Bolivian forces achieved several major victories during the War of the Confederation: the defeat of the Argentinian expedition and the defeat of the first Chilean expedition on the fields of Paucarpata near the city of Arequipa. On the same field the Paucarpata Treaty was signed with the unconditional surrender of the Chilean and Peruvian rebel army. The treaty stipulated that Chile withdraw from Peru-Bolivia, return captured Confederate ships, economic relations would be normalised, and the Confederation would pay Peruvian debt to Chile. Public outrage over the treaty forced the government to reject it. Chile organised a second attack on the Confederation and defeated it in the Battle of Yungay. After this defeat, Santa Cruz fled to Ecuador, and the Peruvian-Bolivian Confederation was dissolved. Following the independence of Peru, Peruvian president General Agustín Gamarra invaded Bolivia. The Peruvian army was decisively defeated at the Battle of Ingavi on November 20, 1841, where Gamarra was killed. The Bolivian army under General José Ballivián then mounted a counter-offensive managing to capture the Peruvian port of Arica. Later, both sides signed a peace treaty in 1842 putting a final end to the war. Bolivian culture has been heavily influenced by the Quechua, the Aymara, as well as by the popular cultures of Latin America as a whole. The cultural development is divided into three distinct periods: precolumbian, colonial, and republican. Important archaeological ruins, gold and silver ornaments, stone monuments, ceramics, and weavings remain from several important pre-Columbian cultures. Major ruins include Tiwanaku, El Fuerte de Samaipata, Incallajta, and Iskanawaya. The country abounds in other sites that are difficult to reach and have seen little archaeological exploration.[28] Carnaval de Oruro 2007 The Spanish brought their own tradition of religious art which, in the hands of local native and mestizo builders and artisans, developed into a rich and distinctive style of architecture, painting, and sculpture known as "Mestizo Baroque". The colonial period produced not only the paintings of Pérez de Holguín, Flores, Bitti, and others but also the works of skilled but unknown stonecutters, woodcarvers, goldsmiths, and silversmiths. An important body of Native Baroque religious music of the colonial period was recovered in recent years and has been performed internationally to wide acclaim since 1994.[28] Bolivian artists of stature in the twentieth century include Guzmán de Rojas, Arturo Borda, María Luisa Pacheco, Roberto Mamani Mamani, Alejandro Mario Yllanes, and Marina Núñez del Prado. Bolivia has a rich folklore. Its regional folk music is distinctive and varied. The "devil dances" at the annual carnival of Oruro are one of the great folkloric events of South America, as is the lesser known carnival at Tarabuco.[28] The best known of the various festivals found in the country is the "Carnaval de Oruro", which was among the first 19 "Masterpieces of the Oral and Intangible Heritage of Humanity," as proclaimed by the UNESCO in May 2001. Entertainment includes football, which is the national sport, as well as table football, which is played on street corners by both children and adults.
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