Bulgaria Official Coat Of Arms Heraldry Symbol Classic Round Sticker

Historically, they were used by knights to identify them apart from enemy soldiers. In Continental Europe, commoners were able to adopt burgher arms. Unlike seals and emblems, coats of arms have a formal description that is expressed as a blazon. In the 21st century, coats of arms are still in use by a variety of institutions and individuals (for example several have guidelines on how their coats of arms may be used and protect their use). The art of designing, displaying, describing and recording arms is called heraldry. The use of coats of arms by countries, states, provinces, towns and villages is called civic heraldry. In the heraldic traditions of England and Scotland an individual, rather than a family, had a coat of arms. In those traditions coats of arms are legal property transmitted from father to son; wives and daughters could also bear arms modified to indicate their relation to the current holder of the arms. Undifferenced arms are used only by one person at any given time. Other descendants of the original bearer could bear the ancestral arms only with some difference: usually a colour change or the addition of a distinguishing charge. One such charge is the label, which in British usage (outside the Royal Family) is now always the mark of an heir apparent. Because of their importance in identification, particularly in seals on legal documents, the use of arms was strictly regulated; few countries continue in this today. This has been carried out by heralds and the study of coats of arms is therefore called "heraldry". Some other traditions (e.g., Polish heraldry) are less restrictive — allowing, for example, all members of a dynastic house or family to use the same arms, although one or more elements may be reserved to the head of the house. In time, the use of coat of arms spread from military entities to educational institutes, and other establishments. According to a design institute article, "The modern logo and corporate livery have evolved from the battle standard and military uniform of mediaeval times". In his book, The Visual Culture of Violence in the Late Middle Ages, Valentin Groebner argues that the images composed on coats of arms are in many cases designed to convey a feeling of power and strength, often in military terms. The author Helen Stuart argues that some coat of arms were a form of corporate logo. Museums on mediaeval coat of arms also point out that as emblems they may be viewed as a pre-cursors to the corporate logos of modern society, used for group identity formation. The American Great Seal is often said to be the coat of arms of the United States. The blazon ("Paleways of 13 pieces, argent and gules; a chief, azure") is intentionally improper to preserve the symbolic number 13. Most American states generally have seals, which fill the role of a coat of arms. However, the state of Vermont (founded as the independant Vermont Republic) follows the American convention of assigning use of a seal for authenticating official state documents and also has its own separate coat of arms. Many American social and especially organisations, use coats of arms in their symbolism. These arms vary widely in their level of adherence to European heraldic tradition. Organisations formed outside the United States with U.S. membership also may have a coat of arms. Roman Catholic dioceses and cathedrals have a coat of arms. Note that not all personal or corporate insignia are heraldic, though they may share many features. For example, flags are used to identify ships (where they are called ensigns), embassies and such, and they use the same colours and designs found in heraldry, but they are not usually considered to be heraldic. A country may have both a national flag and a national coat of arms, and the two may not look alike at all. For example, the flag of Scotland (St Andrew's Cross) has a white saltire on a blue field, but the royal arms of Scotland has a red lion within a double tressure on a gold (or) field. The Vatican has its own coat of arms. As the Papacy is not hereditary, its occupants display their personal arms combined with those of their office. Some Popes came from armigerous (noble) families; others adopted coats of arms during their career in the church. The latter typically allude to their ideal of life, or to specific Pontifical programmes.[11] A well known and widely displayed example in recent times was Pope John Paul II's coat of arms. His selection of a large letter M (for Mary) on his coat of arms was intended to express the message of his strong Marian devotion. Roman Catholic Dioceses also are assigned a coat of arms. A Basilica, or papal church also gets a coat of arms, which is usually displayed on the building. These may be used in countries which otherwise do not use heraldic devices. In Scotland, the Lord Lyon King of Arms has criminal jurisdiction to enforce the laws of arms. In England, Northern Ireland and Wales the use of arms is a matter of civil law and regulated from the of Arms. In reference to a dispute over the exercise of authority over the Officers of Arms, Arthur Annesley, 1st Earl of Anglesey, Lord Privy Seal, declared on 16 June 1673 that the powers of the Earl Marshal were "to order, judge, and determine all matters touching arms, ensigns of nobility, honour, and chivalry; to make laws, ordinances, and statutes for the good government of the Officers of Arms; to nominate Officers to fill vacancies in the of Arms; to punish and correct Officers of Arms for misbehaviour in the execution of their places". It was further declared that no patents of arms or any ensigns of nobility should be granted and no augmentation, alteration, or addition should be made to arms without the consent of the Earl Marshal. Today, the term "coat of arms" is frequently applied in two different ways. In some uses, it may indicate a full achievement of arms or heraldic achievement, which includes a variety of elements — usually a crest sitting atop a helmet, itself sitting on a shield; other common elements include supporters holding up the shield and a motto (beneath in England, above in Scotland). Some people wrongly use "coat of arms" or "arms" to refer to the escutcheon (i.e., the shield itself), or to one of several designs that may be combined in one shield. (Note that the crest is one specific part of a heraldic achievement and that "crest of arms" is a misnomer.) The "coat of arms" frequently are adorned with a device - a motto, emblem, or other mark used to distinguish the bearer from others. If a motto is a part of the achievement, it sometimes has some punning allusion to the owner's name. A device differs from a badge or cognizance primarily because it is a personal distinction, and not a badge borne by members of the same house successively. Heraldry is the profession, study, or art of devising, granting, and blazoning arms and ruling on questions of rank or protocol, as exercised by an officer of arms. Heraldry comes from Anglo-Norman herald, from the Germanic compound *harja-waldaz, "army commander". The word, in its most general sense, encompasses all matters relating to the duties and responsibilities of officers of arms. To most, though, heraldry is the practice of designing, displaying, describing, and recording coats of arms and badges. Historically, it has been variously described as "the shorthand of history" and "the floral border in the garden of history."The origins of heraldry lie in the need to distinguish participants in combat when their faces were hidden by iron and steel helmets. Eventually a formal system of rules developed into ever more complex forms of heraldry. The system of blazoning arms that is used in English-speaking countries today was developed by the officers of arms in the Middle Ages. This includes a stylised description of the escutcheon (shield), the crest, and, if present, supporters, mottoes, and other insignia. Certain rules apply, such as the Rule of tincture, and a thorough understanding of these rules is a key to the art of heraldry. The rules and terminology do differ from country to country, indeed several national styles had developed by the end of the Middle Ages, but there are some aspects that carry over internationally. Though heraldry is nearly 900 years old, it is still very much in use. Many cities and towns in Europe and around the world still make use of arms. Personal heraldry, both legally protected and lawfully assumed, has continued to be used around the world. Heraldic societies exist to promote education and understanding about the subject. Bulgaria (pronounced /bʌlˈɡɛəriə/ (Speaker Icon.svg listen); Bulgarian: България, Bălgariya, pronounced [bəlˈɡarija]), officially the Republic of Bulgaria (Република България, Republika Bălgariya, [rɛˈpublika bəlˈɡarija]), is a country in the Balkans in south-eastern Europe. Bulgaria borders five other countries: Romania to the north (mostly along the River Danube), Serbia and the Republic of Macedonia to the west, and Greece and Turkey to the south. The Black Sea defines the extent of the country to the east. Bulgaria includes parts of the Roman provinces of Moesia, Thrace and Macedonia. Old European culture within the territory of present-day[update] Bulgaria started to produce golden artefacts by the fifth millennium BC.[5] The emergence of a unified Bulgarian national identity and state date back to the 7th century AD. All Bulgarian political entities that subsequently emerged preserved the traditions (in ethnic name, language and alphabet) of the First Bulgarian Empire (632/681 – 1018), which at times covered most of the Balkans and spread its alphabet, literature and culture among the Slavic and other peoples of Eastern Europe. Centuries later, with the decline of the Second Bulgarian Empire (1185 – 1396/1422), Bulgarian kingdoms came under Ottoman rule for nearly five centuries. The Russo-Turkish War of 1877–1878 led to the re-establishment of a Bulgarian state as a constitutional monarchy in 1878, with the Treaty of San Stefano marking the birth of the Third Bulgarian State. In 1908, with social strife brewing at the core of the Ottoman Empire, the Alexander Malinov government and Prince Ferdinand of Bulgaria formally proclaimed the full sovereignty of the Bulgarian state at the ancient capital of Veliko Turnovo.[6] After World War II, in 1945 Bulgaria became a communist state and part of the Eastern Bloc. Todor Zhivkov dominated Bulgaria politically for 33 years (from 1956 to 1989). In 1990, after the Revolutions of 1989, the Communist Party gave up its monopoly on power and Bulgaria undertook a transition to democracy and free-market capitalism. Bulgaria functions as a parliamentary democracy within a unitary constitutional republic. A member of the European Union, NATO and the World Trade Organisation, it has a high Human Development Index of 0.840, ranking 61st in the world in 2009.[7] Freedom House in 2008 listed Bulgaria as "free", giving it scores of 1 (highest) for political rights and 2 for civil liberties. In February 1990 the Communist Party voluntarily gave up its monopoly on power, and in June 1990 free elections took place, won by the moderate wing of the Communist Party (renamed the Bulgarian Socialist Party — BSP). In July 1991, the country adopted a new constitution which provided for a relatively weak elected President and for a Prime Minister accountable to the legislature. The 1990s featured high unemployment, unstable (and often high) inflation rates and discontent. Since 1989, Bulgaria has held multi-party elections and privatised its economy, but economic difficulties and a tide of corruption have led over 800,000 Bulgarians, most of them qualified professionals, to emigrate in a "brain drain". The reform package introduced in 1997 restored positive economic growth, but led to rising social inequality. Bulgaria became a member of NATO in 2004 and of the European Union in 2007, and the US Library of Congress Federal Research Division reported it in 2006 as having generally good freedom of speech and human rights records.[44] In 2007 the A.T. Kearney/Foreign Policy Magazine globalisation index ranked Bulgaria 36th (between the PRC and Iceland) out of 122 countries. A number of ancient civilisations, most notably the Thracians, Greeks, Romans, Slavs, and Bulgars, have left their mark on the culture, history and heritage of Bulgaria. Thracian artefacts include numerous tombs and golden treasures, while ancient Bulgars have left traces of their heritage in music and early architecture. The oldest treasure of worked gold in the world, dating back to the 5th millennium BC, comes from the site of the Varna Necropolis.[94] Bulgaria functioned as the hub of Slavic Europe during much of the Middle Ages, exerting considerable literary and cultural influence over the Eastern Orthodox Slavic world by means of the Preslav and Ohrid Literary Schools. The Cyrillic alphabet, used in many languages in Eastern Europe and Asia, originated in these two schools in the tenth century AD. Bulgaria's contribution to humanity continued throughout the 19th and 20th centuries, with individuals such as John Atanasoff — a United States citizen of Bulgarian descent, regarded as the father of the digital computer. A number of noted opera-singers (Nicolai Ghiaurov, Boris Christoff, Raina Kabaivanska, Ghena Dimitrova, Anna Tomowa-Sintow, Vesselina Kasarova), pianist Alexis Weissenberg and successful artists (Christo, Pascin, Vladimir Dimitrov)and the amazing musician Nikolay Dimitrov in viola popularised the culture of Bulgaria abroad. A decorated horse, prepared for a race. Horseraces take place each year to mark Todorovden (St. Theodore's day). Bulgaria has nine UNESCO World Heritage Sites – the early mediaeval large rock relief Madara Rider, two Thracian tombs (in Sveshtari and Kazanlak), the Boyana Church, the Rila Monastery and the Rock-hewn Churches of Ivanovo, Pirin National Park and Sreburna Nature Reserve, as well as the ancient city of Nesebar. Bulgaria has an long-standing musical tradition, traceable back to the early Middle Ages. One of the earliest known composers of Mediaeval Europe, Yoan Kukuzel (ca. 1280–1360), became famous for his work Polieleion of the Bulgarian Woman. About 90 of his works have survived. Kukuzel also reformed the Byzantine musical writing system, and became known as The Angel-voiced for his singing abilities. The distinctive sound of Bulgarian folk music comes partly from the asymmetric rhythms, harmony and polyphony, such as the use of close intervals like the major second and the singing of a drone accompaniment underneath the melody, especially common in songs from the Shopi region in Western Bulgaria and the Pirin region. Regional folk musical styles abound in Bulgaria. Dobrudzha, Sofia, Rodopi, Macedonia, Thrace and the Danube plain all have distinctive sounds. Traditional instruments include gudulka (гъдулка), gaida (гайда) – bagpipe, kaval (кавал), tupan (тъпан) and others. Bulgaria has a rich heritage in the visual arts, especially in frescoes, murals and icons. The Thracian Tomb of Kazanlak offers fine examples of excellently preserved ancient Thracian art. Tomb art provides one of the most important sources of information about Thracian lifestyle and culture. The crypt of the Alexander Nevski Cathedral features an exhibition of a large collection of mediaeval icons. The earliest of those dates from around the 9th century AD. The Tarnovo Artistic School, the mainstream of the Bulgarian fine arts and architecture between 13th and 14th centuries, takes its name from the capital and main cultural centre of the Second Bulgarian Empire, Tarnovo. Although it shows the influence of some tendencies of the Palaeologan Renaissance in the Byzantine Empire, Tarnovo painting had its own unique features which make it a separate artistic school.[95] The works of the Tarnovo school show some degree of realism, portrait individualism and psychology.[96] Melnik is a major wine production centre since 1346. The unique and realistic portraits in the Boyana Church class as forerunners of the Renaissance.[97] During the period of Ottoman rule (1396–1878) the authorities suppressed Bulgarian art. Many churches suffered destruction, and newly built ones remained somewhat modest. At the end of the 18th century the Islamic Ottoman Empire began a slow decay, thus permitting the Bulgarian National Revival of the 18th and 19th centuries to occur. Bulgaria experienced a cultural revival. Following the Liberation in 1878, fine arts rapidly recovered and came under the influence of European artistic currents such as late Romanticism. Owing to the relatively warm climate and diverse geography affording excellent growth-conditions for a variety of vegetables, herbs and fruits, Bulgarian cuisine (българска кухня, bulgarska kuhnya) offers great diversity. Famous for its rich salads (required at every meal), the cuisine also features diverse quality dairy products and a variety of wines and local alcoholic drinks such as rakia (ракия), mastika (мастика) and menta (мента). Exports of Bulgarian wine go worldwide, and until 1990 the country exported the world's second-largest total of bottled wine. The rich soil, perfect climate and the millennia-old tradition of wine-making, which dates back to the time of the Thracians, contribute to the wide variety of fine Bulgarian wines. As of 2007, Bulgaria produced 200,000 tonnes of wine annually,[98] ranking 20th in the world.