BUST OF CHRIST THE SAVIOR by MICHELANGELO 2026___ Notebook

BUST OF CHRIST THE SAVIOR by MICHELANGELO 2026 or CHRIST THE SAVIOUR Computer colourized by Mark Edward Westerfield 2026 or Computer colourization by Mark Edward Westerfield 2026 Lost Michelangelo re-attributed by found paperwork historic documents. Marble bust of Christ the Saviour. It sat hidden in plain sight at Rome's Basilica of Sant'Agnese fuori le mura. "Brethren of the most Holy Crucifix" "The Brotherhood of the Most Holy Crucifix" "The Compagnia del Santissimo Crocifisso" Gemini helped me a lot with this version. I asked Gemini for help using a long specific detailed prompt: Chocolate dark brown hair and beard keeping the sculptural look of the all white Carrara Marble 16th Century (1500's) Italian Art Renaissance Period sculpture found in Rome The Bust of Christ the Saviour re-attributed to Michelangelo in March 2026, beautiful reflective brown kind eyes, Middle Eastern / Jew / Hebrew complexion with noble regal nose and high cheek bones, slightest pink tint to the cheeks, and pure white robe with shiny metallic pure gold look trim at the neck line. I had deleted the busy background in the photo so I could experiment with various backgrounds myself. Today, I applied a slight vignette gradient to the pale buff background to suggest a hint of halo look. I think this has been my best version so far. I hope you love this. I am in the process of posting 3 sizes of cards, a historical postcard, T-Shirts, ceramic coffee mugs, fine art print posters, fine art canvas prints, and more. THANK YOU, my friends! Mark Edward Westerfield, Monday, July 28, 2026. www.zazzle.com/markewesterfield (2015 - 2026) Gemini's response: This image features a detailed, stylised digital depiction of Jesus Christ, modelled after classical European and Renaissance art traditions. Here are the key details and visual elements of this depiction: Visual Features & Artistic Style Facial Features: The portrait portrays Jesus with deep brown eyes, symmetrical facial structure, defined cheekbones, and a serene, gentle expression looking directly forward. Hair & Beard: He has long, dark brown, shoulder-length wavy hair with rich shading and highlights, paired with a neat, well-groomed beard and moustache. Attire: He is depicted wearing a white garment featuring a decorative, detailed golden embroidered trim around the neckline. Lighting & Modelling: The lighting gives the face a smooth, sculpted appearance—reminiscent of polished marble, porcelain, or high-detail digital 3D rendering. Background & Frame: The subject is set against a soft, warm radial gradient background (fading from light cream to subtle gold) framed by a solid gold border. Iconographic Context This depiction draws heavily on traditional Devotional Art (often seen in holy cards, religious prints, and statues) rather than historical realism. It reflects a classic Western Christian iconography style, emphasising idealisation, calm divinity, and approachable compassion. The smooth shading and golden highlights give it a contemporary digital aesthetic while retaining the proportions of traditional sacred art.