J. W. WATERHOUSE - THE SOUL OF THE ROSE - 1908 - CANVAS PRINT

----------------------------------------------------------------------------------𝑱𝒐𝒉𝒏 𝑾𝒊𝒍𝒍𝒊𝒂𝒎 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆 (𝑩𝒓𝒊𝒕𝒊𝒔𝒉,𝟏𝟖𝟒𝟗-𝟏𝟗𝟏𝟕) - 𝑻𝒉𝒆 𝑺𝒐𝒖𝒍 𝒐𝒇 𝒕𝒉𝒆 𝑹𝒐𝒔𝒆 (𝑴𝒚 𝑺𝒘𝒆𝒆𝒕 𝑹𝒐𝒔𝒆) - 𝟏𝟗𝟎𝟖 - 𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄𝒊𝒔𝒎, 𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆𝒔 - 𝒑𝒐𝒓𝒕𝒓𝒂𝒊𝒕 (𝑻𝒆𝒏𝒏𝒚𝒔𝒐𝒏'𝒔 𝒑𝒐𝒆𝒎 𝑴𝒂𝒖𝒅) - 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔 - 𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 --------------------------------- "𝑻𝒉𝒆 𝑺𝒐𝒖𝒍 𝒐𝒇 𝒕𝒉𝒆 𝑹𝒐𝒔𝒆" 𝒐𝒓 "𝑴𝒚 𝑺𝒘𝒆𝒆𝒕 𝑹𝒐𝒔𝒆," 𝒂 𝒎𝒂𝒔𝒕𝒆𝒓𝒑𝒊𝒆𝒄𝒆 𝒃𝒚 𝑱𝒐𝒉𝒏 𝑾𝒊𝒍𝒍𝒊𝒂𝒎 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆, 𝒈𝒓𝒂𝒄𝒆𝒅 𝒕𝒉𝒆 𝒂𝒓𝒕 𝒔𝒄𝒆𝒏𝒆 𝒊𝒏 𝟏𝟗𝟎𝟖, 𝒅𝒓𝒂𝒘𝒊𝒏𝒈 𝒊𝒏𝒔𝒑𝒊𝒓𝒂𝒕𝒊𝒐𝒏 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝒍𝒊𝒕𝒆𝒓𝒂𝒓𝒚 𝒘𝒐𝒓𝒌𝒔 𝒐𝒇 𝑨𝒍𝒇𝒓𝒆𝒅 𝑳𝒐𝒓𝒅 𝑻𝒆𝒏𝒏𝒚𝒔𝒐𝒏. 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆, 𝒌𝒏𝒐𝒘𝒏 𝒇𝒐𝒓 𝒘𝒆𝒂𝒗𝒊𝒏𝒈 𝒂𝒏𝒄𝒊𝒆𝒏𝒕 𝒕𝒂𝒍𝒆𝒔 𝒐𝒇 𝒓𝒐𝒎𝒂𝒏𝒄𝒆 𝒊𝒏𝒕𝒐 𝒉𝒊𝒔 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈𝒔, 𝒕𝒂𝒌𝒆𝒔 𝒂 𝒅𝒆𝒑𝒂𝒓𝒕𝒖𝒓𝒆 𝒊𝒏 𝒕𝒉𝒊𝒔 𝒂𝒓𝒕𝒘𝒐𝒓𝒌 𝒃𝒚 𝒆𝒎𝒃𝒓𝒂𝒄𝒊𝒏𝒈 𝒕𝒉𝒆 𝒎𝒐𝒓𝒆 𝒓𝒆𝒄𝒆𝒏𝒕 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆 𝒐𝒇 𝑻𝒆𝒏𝒏𝒚𝒔𝒐𝒏'𝒔 𝒑𝒐𝒆𝒕𝒓𝒚. 𝑻𝒉𝒆 𝒔𝒆𝒏𝒔𝒖𝒂𝒍 𝒅𝒆𝒑𝒊𝒄𝒕𝒊𝒐𝒏 𝒐𝒇 𝒕𝒉𝒆 𝒇𝒆𝒎𝒂𝒍𝒆 𝒆𝒏𝒈𝒂𝒈𝒊𝒏𝒈 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒇𝒓𝒂𝒈𝒓𝒂𝒏𝒄𝒆 𝒐𝒇 𝒕𝒉𝒆 𝒓𝒐𝒔𝒆 𝒆𝒏𝒄𝒂𝒑𝒔𝒖𝒍𝒂𝒕𝒆𝒔 𝒕𝒉𝒆 𝒆𝒔𝒔𝒆𝒏𝒄𝒆 𝒐𝒇 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒐𝒆𝒖𝒗𝒓𝒆, 𝒘𝒉𝒆𝒓𝒆 𝒇𝒆𝒎𝒊𝒏𝒊𝒏𝒊𝒕𝒚 𝒂𝒏𝒅 𝒆𝒍𝒆𝒈𝒂𝒏𝒄𝒆 𝒊𝒏𝒕𝒆𝒓𝒕𝒘𝒊𝒏𝒆 𝒘𝒊𝒕𝒉 𝒏𝒂𝒕𝒖𝒓𝒆. 𝑹𝒐𝒐𝒕𝒆𝒅 𝒊𝒏 𝒕𝒉𝒆 𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄𝒊𝒔𝒎 𝒂𝒏𝒅 𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕𝒔, 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒂𝒓𝒕 𝒓𝒆𝒇𝒍𝒆𝒄𝒕𝒔 𝒕𝒉𝒆 𝒊𝒅𝒆𝒂𝒍𝒔 𝒐𝒇 𝒕𝒉𝒆 𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆 𝑩𝒓𝒐𝒕𝒉𝒆𝒓𝒉𝒐𝒐𝒅, 𝒘𝒉𝒊𝒄𝒉 𝒄𝒆𝒍𝒆𝒃𝒓𝒂𝒕𝒆𝒅 𝒕𝒉𝒆 𝒃𝒆𝒂𝒖𝒕𝒚 𝒐𝒇 𝒕𝒉𝒆 𝒇𝒆𝒎𝒂𝒍𝒆 𝒇𝒐𝒓𝒎. 𝑴𝒐𝒅𝒆𝒍𝒔 𝒘𝒊𝒕𝒉𝒊𝒏 𝒕𝒉𝒊𝒔 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕 𝒐𝒇𝒕𝒆𝒏 𝒆𝒎𝒃𝒐𝒅𝒊𝒆𝒅 𝒂 𝒑𝒂𝒓𝒕𝒊𝒄𝒖𝒍𝒂𝒓 𝒍𝒐𝒐𝒌—𝒕𝒂𝒍𝒍, 𝒔𝒍𝒊𝒎, 𝒂𝒏𝒅 𝒃𝒓𝒖𝒏𝒆𝒕𝒕𝒆, 𝒘𝒊𝒕𝒉 𝒑𝒂𝒍𝒆 𝒔𝒌𝒊𝒏 𝒂𝒏𝒅 𝒓𝒐𝒔𝒚 𝒄𝒉𝒆𝒆𝒌𝒔. 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒘𝒐𝒎𝒆𝒏, 𝒅𝒓𝒆𝒔𝒔𝒆𝒅 𝒊𝒏 𝒄𝒍𝒂𝒔𝒔𝒊𝒄 𝒚𝒆𝒕 𝒆𝒍𝒆𝒈𝒂𝒏𝒕 𝒄𝒍𝒐𝒕𝒉𝒊𝒏𝒈, 𝒔𝒆𝒓𝒗𝒆𝒅 𝒂𝒔 𝒂 𝒃𝒓𝒊𝒅𝒈𝒆 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒕𝒉𝒆 𝒃𝒆𝒂𝒖𝒕𝒚 𝒐𝒇 𝒏𝒂𝒕𝒖𝒓𝒆 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒇𝒆𝒎𝒂𝒍𝒆 𝒃𝒐𝒅𝒚. "𝑻𝒉𝒆 𝑺𝒐𝒖𝒍 𝒐𝒇 𝒕𝒉𝒆 𝑹𝒐𝒔𝒆" 𝒅𝒆𝒍𝒗𝒆𝒔 𝒊𝒏𝒕𝒐 𝑻𝒆𝒏𝒏𝒚𝒔𝒐𝒏'𝒔 𝒑𝒐𝒆𝒎 "𝑴𝒂𝒖𝒅" 𝒇𝒓𝒐𝒎 𝟏𝟖𝟓𝟓, 𝒑𝒂𝒓𝒕𝒊𝒄𝒖𝒍𝒂𝒓𝒍𝒚 𝒕𝒉𝒆 𝒍𝒊𝒏𝒆 '𝑨𝒏𝒅 𝒕𝒉𝒆 𝒔𝒐𝒖𝒍 𝒐𝒇 𝒕𝒉𝒆 𝒓𝒐𝒔𝒆 𝒘𝒆𝒏𝒕 𝒊𝒏𝒕𝒐 𝒎𝒚 𝒃𝒍𝒐𝒐𝒅.' 𝑾𝒉𝒊𝒍𝒆 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒊𝒔 𝒏𝒐𝒕 𝒂 𝒍𝒊𝒕𝒆𝒓𝒂𝒍 𝒊𝒏𝒕𝒆𝒓𝒑𝒓𝒆𝒕𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝒕𝒉𝒆 𝒑𝒐𝒆𝒎, 𝒊𝒕 𝒔𝒆𝒓𝒗𝒆𝒔 𝒂𝒔 𝒂 𝒕𝒉𝒆𝒎𝒂𝒕𝒊𝒄 𝒆𝒙𝒑𝒍𝒐𝒓𝒂𝒕𝒊𝒐𝒏 𝒆𝒎𝒂𝒏𝒂𝒕𝒊𝒏𝒈 𝒇𝒓𝒐𝒎 𝑻𝒆𝒏𝒏𝒚𝒔𝒐𝒏'𝒔 𝒓𝒐𝒎𝒂𝒏𝒕𝒊𝒄 𝒗𝒆𝒓𝒔𝒆. 𝑨𝒓𝒕 𝒄𝒓𝒊𝒕𝒊𝒄𝒔 𝒔𝒑𝒆𝒄𝒖𝒍𝒂𝒕𝒆 𝒕𝒉𝒂𝒕 𝒕𝒉𝒆 𝒇𝒆𝒎𝒂𝒍𝒆'𝒔 𝒊𝒏𝒕𝒆𝒓𝒂𝒄𝒕𝒊𝒐𝒏 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒓𝒐𝒔𝒆 𝒎𝒂𝒚 𝒆𝒗𝒐𝒌𝒆 𝒎𝒆𝒎𝒐𝒓𝒊𝒆𝒔 𝒐𝒇 𝒂 𝒍𝒐𝒗𝒆𝒓, 𝒂𝒅𝒅𝒊𝒏𝒈 𝒂 𝒍𝒂𝒚𝒆𝒓 𝒐𝒇 𝒆𝒎𝒐𝒕𝒊𝒐𝒏 𝒂𝒏𝒅 𝒏𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆 𝒕𝒐 𝒕𝒉𝒆 𝒄𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏. 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒎𝒆𝒕𝒊𝒄𝒖𝒍𝒐𝒖𝒔 𝒂𝒕𝒕𝒆𝒏𝒕𝒊𝒐𝒏 𝒕𝒐 𝒅𝒆𝒕𝒂𝒊𝒍 𝒆𝒙𝒕𝒆𝒏𝒅𝒔 𝒕𝒐 𝒕𝒉𝒆 𝒎𝒐𝒅𝒆𝒍'𝒔 𝒄𝒍𝒐𝒕𝒉𝒊𝒏𝒈 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒔𝒖𝒃𝒕𝒍𝒆 𝒂𝒓𝒄𝒉𝒊𝒕𝒆𝒄𝒕𝒖𝒓𝒂𝒍 𝒆𝒍𝒆𝒎𝒆𝒏𝒕𝒔 𝒕𝒉𝒂𝒕 𝒇𝒓𝒂𝒎𝒆 𝒕𝒉𝒆 𝒄𝒆𝒏𝒕𝒓𝒂𝒍 𝒇𝒐𝒄𝒖𝒔. 𝑻𝒉𝒆 𝒔𝒆𝒕𝒕𝒊𝒏𝒈, 𝒓𝒆𝒎𝒊𝒏𝒊𝒔𝒄𝒆𝒏𝒕 𝒐𝒇 𝒂𝒏 𝑰𝒕𝒂𝒍𝒊𝒂𝒏-𝒔𝒕𝒚𝒍𝒆𝒅 𝒈𝒂𝒓𝒅𝒆𝒏, 𝒑𝒂𝒚𝒔 𝒉𝒐𝒎𝒂𝒈𝒆 𝒕𝒐 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒃𝒊𝒓𝒕𝒉𝒑𝒍𝒂𝒄𝒆 𝒊𝒏 𝑹𝒐𝒎𝒆. 𝑯𝒊𝒔 𝑺𝒐𝒖𝒕𝒉-𝑬𝒖𝒓𝒐𝒑𝒆𝒂𝒏 𝒓𝒐𝒐𝒕𝒔 𝒂𝒓𝒆 𝒔𝒖𝒃𝒕𝒍𝒚 𝒊𝒏𝒇𝒖𝒔𝒆𝒅 𝒊𝒏𝒕𝒐 𝒕𝒉𝒆 𝒄𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏, 𝒔𝒉𝒐𝒘𝒄𝒂𝒔𝒊𝒏𝒈 𝒕𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕'𝒔 𝒂𝒃𝒊𝒍𝒊𝒕𝒚 𝒕𝒐 𝒎𝒂𝒓𝒓𝒚 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆𝒔 𝒇𝒓𝒐𝒎 𝒃𝒐𝒕𝒉 𝑩𝒓𝒊𝒕𝒊𝒔𝒉 𝒂𝒏𝒅 𝒄𝒐𝒏𝒕𝒊𝒏𝒆𝒏𝒕𝒂𝒍 𝒕𝒓𝒂𝒅𝒊𝒕𝒊𝒐𝒏𝒔. 𝑻𝒉𝒆 𝒕𝒊𝒕𝒍𝒆, 𝒍𝒐𝒐𝒔𝒆𝒍𝒚 𝒅𝒆𝒓𝒊𝒗𝒆𝒅 𝒇𝒓𝒐𝒎 𝑪𝒉𝒂𝒖𝒄𝒆𝒓'𝒔 "𝑹𝒐𝒎𝒂𝒖𝒏𝒕 𝒐𝒇 𝒕𝒉𝒆 𝑹𝒐𝒔𝒆," 𝒄𝒐𝒏𝒏𝒆𝒄𝒕𝒔 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒘𝒐𝒓𝒌 𝒕𝒐 𝒎𝒆𝒅𝒊𝒆𝒗𝒂𝒍𝒊𝒔𝒎, 𝒆𝒎𝒑𝒉𝒂𝒔𝒊𝒛𝒊𝒏𝒈 𝒕𝒉𝒆 𝒄𝒐𝒏𝒄𝒆𝒏𝒕𝒓𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝒆𝒙𝒑𝒆𝒓𝒊𝒆𝒏𝒄𝒆 𝒘𝒊𝒕𝒉𝒊𝒏 𝒕𝒉𝒆 𝒆𝒏𝒄𝒍𝒐𝒔𝒆𝒅 𝒍𝒊𝒎𝒊𝒕𝒔 𝒐𝒇 𝒂 𝒘𝒂𝒍𝒍𝒆𝒅 𝑻𝒖𝒔𝒄𝒂𝒏 𝒈𝒂𝒓𝒅𝒆𝒏. 𝑻𝒉𝒆 𝒑𝒓𝒐𝒕𝒂𝒈𝒐𝒏𝒊𝒔𝒕, 𝒘𝒊𝒕𝒉 𝒉𝒆𝒓 𝒓𝒆𝒅 𝒉𝒂𝒊𝒓 𝒂𝒏𝒅 𝒃𝒓𝒐𝒄𝒂𝒅𝒆 𝒈𝒐𝒘𝒏, 𝒆𝒑𝒊𝒕𝒐𝒎𝒊𝒛𝒆𝒔 𝒄𝒐𝒖𝒓𝒕𝒍𝒚 𝒍𝒐𝒗𝒆 𝒂𝒏𝒅 𝒂𝒅𝒅𝒔 𝒎𝒂𝒕𝒖𝒓𝒊𝒕𝒚 𝒕𝒐 𝒕𝒉𝒆 𝒄𝒐𝒖𝒓𝒕𝒍𝒚 𝒍𝒐𝒗𝒆 𝒕𝒓𝒂𝒅𝒊𝒕𝒊𝒐𝒏, 𝒄𝒐𝒏𝒕𝒓𝒂𝒔𝒕𝒊𝒏𝒈 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒎𝒐𝒓𝒆 𝒍𝒊𝒇𝒆𝒍𝒆𝒔𝒔 𝒊𝒅𝒆𝒂𝒍𝒔 𝒇𝒐𝒖𝒏𝒅 𝒊𝒏 𝒕𝒉𝒆 𝒘𝒐𝒓𝒌𝒔 𝒐𝒇 𝒄𝒐𝒏𝒕𝒆𝒎𝒑𝒐𝒓𝒂𝒓𝒊𝒆𝒔 𝒍𝒊𝒌𝒆 𝑩𝒖𝒓𝒏𝒆-𝑱𝒐𝒏𝒆𝒔. 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒕𝒉𝒆𝒎𝒂𝒕𝒊𝒄 𝒂𝒔𝒔𝒐𝒄𝒊𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝒘𝒐𝒎𝒆𝒏 𝒘𝒊𝒕𝒉 𝒇𝒍𝒐𝒘𝒆𝒓𝒔, 𝒕𝒉𝒐𝒖𝒈𝒉 𝒏𝒐𝒕 𝒂 𝒏𝒐𝒗𝒆𝒍 𝒄𝒐𝒏𝒄𝒆𝒑𝒕, 𝒃𝒆𝒂𝒓𝒔 𝒉𝒊𝒔 𝒔𝒊𝒈𝒏𝒂𝒕𝒖𝒓𝒆 𝒔𝒕𝒚𝒍𝒆. 𝑯𝒊𝒔 𝒍𝒂𝒕𝒆 𝒘𝒐𝒓𝒌, 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆𝒅 𝒃𝒚 𝒕𝒉𝒆 𝑭𝒓𝒆𝒏𝒄𝒉 𝑩𝒂𝒓𝒃𝒊𝒛𝒐𝒏 𝒔𝒄𝒉𝒐𝒐𝒍 𝒂𝒏𝒅 𝑩𝒓𝒊𝒕𝒊𝒔𝒉 𝒄𝒐𝒖𝒏𝒕𝒆𝒓𝒑𝒂𝒓𝒕𝒔, 𝒆𝒙𝒖𝒅𝒆𝒔 𝒂𝒏 𝒊𝒎𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏𝒊𝒔𝒕𝒊𝒄 𝒇𝒆𝒆𝒍, 𝒃𝒂𝒍𝒂𝒏𝒄𝒊𝒏𝒈 𝒅𝒆𝒕𝒂𝒊𝒍 𝒂𝒏𝒅 𝒂𝒃𝒔𝒕𝒓𝒂𝒄𝒕𝒊𝒐𝒏 𝒘𝒊𝒕𝒉 𝒄𝒐𝒏𝒔𝒖𝒎𝒎𝒂𝒕𝒆 𝒔𝒌𝒊𝒍𝒍. 𝑻𝒉𝒆 𝒄𝒍𝒂𝒔𝒉 𝒐𝒇 𝒄𝒐𝒍𝒐𝒓 𝒂𝒏𝒅 𝒕𝒆𝒙𝒕𝒖𝒓𝒆, 𝒂𝒍𝒐𝒏𝒈 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒍𝒖𝒎𝒊𝒏𝒐𝒔𝒊𝒕𝒚 𝒐𝒇 𝒉𝒊𝒔 𝒓𝒐𝒎𝒂𝒏𝒕𝒊𝒄 𝒉𝒆𝒓𝒐𝒊𝒏𝒆𝒔, 𝒆𝒏𝒔𝒖𝒓𝒆𝒔 𝒕𝒉𝒆 𝒕𝒊𝒎𝒆𝒍𝒆𝒔𝒔 𝒂𝒍𝒍𝒖𝒓𝒆 𝒐𝒇 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒂𝒓𝒕, 𝒎𝒂𝒌𝒊𝒏𝒈 "𝑻𝒉𝒆 𝑺𝒐𝒖𝒍 𝒐𝒇 𝒕𝒉𝒆 𝑹𝒐𝒔𝒆" 𝒂 𝒄𝒂𝒑𝒕𝒊𝒗𝒂𝒕𝒊𝒏𝒈 𝒕𝒆𝒔𝒕𝒂𝒎𝒆𝒏𝒕 𝒕𝒐 𝒕𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕'𝒔 𝒂𝒃𝒊𝒍𝒊𝒕𝒚 𝒕𝒐 𝒘𝒆𝒂𝒗𝒆 𝒏𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆 𝒂𝒏𝒅 𝒃𝒆𝒂𝒖𝒕𝒚 𝒊𝒏𝒕𝒐 𝒂 𝒔𝒊𝒏𝒈𝒍𝒆 𝒄𝒂𝒏𝒗𝒂𝒔.