J. WATERHOUSE - THE SIREN - 1900 - Pre-Raphaelites Canvas Print

----------------------------------------------------------------------------------𝑱𝒐𝒉𝒏 𝑾𝒊𝒍𝒍𝒊𝒂𝒎 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆 (𝑩𝒓𝒊𝒕𝒊𝒔𝒉, 𝟏𝟖𝟒𝟗-𝟏𝟗𝟏𝟕) - 𝑻𝑯𝑬 𝑺𝑰𝑹𝑬𝑵 - 𝟏𝟗𝟎𝟎 - 𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄𝒊𝒔𝒎, 𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆𝒔 - 𝑴𝒚𝒕𝒉𝒐𝒍𝒐𝒈𝒊𝒄𝒂𝒍 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈, 𝑵𝒖𝒅𝒆 - 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔 - 𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 --------------------------𝑱𝒐𝒉𝒏 𝑾𝒊𝒍𝒍𝒊𝒂𝒎 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆, 𝒂 𝒑𝒓𝒐𝒎𝒊𝒏𝒆𝒏𝒕 𝒂𝒓𝒕𝒊𝒔𝒕 𝒐𝒇 𝒕𝒉𝒆 𝒍𝒂𝒕𝒆 𝟏𝟗𝒕𝒉 𝒂𝒏𝒅 𝒆𝒂𝒓𝒍𝒚 𝟐𝟎𝒕𝒉 𝒄𝒆𝒏𝒕𝒖𝒓𝒊𝒆𝒔, 𝒍𝒆𝒇𝒕 𝒂𝒏 𝒊𝒏𝒅𝒆𝒍𝒊𝒃𝒍𝒆 𝒎𝒂𝒓𝒌 𝒐𝒏 𝒕𝒉𝒆 𝒂𝒓𝒕 𝒘𝒐𝒓𝒍𝒅 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒉𝒊𝒔 𝒄𝒂𝒑𝒕𝒊𝒗𝒂𝒕𝒊𝒏𝒈 𝒂𝒏𝒅 𝒎𝒚𝒕𝒉𝒐𝒍𝒐𝒈𝒊𝒄𝒂𝒍𝒍𝒚 𝒊𝒏𝒔𝒑𝒊𝒓𝒆𝒅 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈𝒔. 𝑶𝒏𝒆 𝒐𝒇 𝒉𝒊𝒔 𝒏𝒐𝒕𝒂𝒃𝒍𝒆 𝒘𝒐𝒓𝒌𝒔, '𝑻𝒉𝒆 𝑺𝒊𝒓𝒆𝒏' 𝒊𝒏𝒗𝒊𝒕𝒆𝒔 𝒗𝒊𝒆𝒘𝒆𝒓𝒔 𝒊𝒏𝒕𝒐 𝒂 𝒘𝒐𝒓𝒍𝒅 𝒘𝒉𝒆𝒓𝒆 𝒎𝒚𝒕𝒉𝒐𝒍𝒐𝒈𝒚 𝒊𝒏𝒕𝒆𝒓𝒕𝒘𝒊𝒏𝒆𝒔 𝒘𝒊𝒕𝒉 𝒂𝒓𝒕, 𝒔𝒉𝒐𝒘𝒄𝒂𝒔𝒊𝒏𝒈 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒎𝒂𝒔𝒕𝒆𝒓𝒚 𝒊𝒏 𝒄𝒂𝒑𝒕𝒖𝒓𝒊𝒏𝒈 𝒆𝒎𝒐𝒕𝒊𝒐𝒏𝒂𝒍 𝒅𝒆𝒑𝒕𝒉 𝒂𝒏𝒅 𝒊𝒏𝒕𝒓𝒊𝒄𝒂𝒕𝒆 𝒅𝒆𝒕𝒂𝒊𝒍𝒔. 𝑰𝒏 '𝑻𝒉𝒆 𝑺𝒊𝒓𝒆𝒏,' 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆 𝒅𝒆𝒗𝒊𝒂𝒕𝒆𝒔 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝒄𝒐𝒏𝒗𝒆𝒏𝒕𝒊𝒐𝒏𝒂𝒍 𝒑𝒐𝒓𝒕𝒓𝒂𝒚𝒂𝒍 𝒐𝒇 𝑺𝒊𝒓𝒆𝒏𝒔 𝒂𝒔 𝒎𝒂𝒍𝒆𝒗𝒐𝒍𝒆𝒏𝒕 𝒔𝒆𝒅𝒖𝒄𝒕𝒓𝒆𝒔𝒔𝒆𝒔, 𝒐𝒑𝒕𝒊𝒏𝒈 𝒊𝒏𝒔𝒕𝒆𝒂𝒅 𝒇𝒐𝒓 𝒂 𝒎𝒐𝒓𝒆 𝒏𝒖𝒂𝒏𝒄𝒆𝒅 𝒂𝒏𝒅 𝒎𝒆𝒍𝒂𝒏𝒄𝒉𝒐𝒍𝒊𝒄 𝒔𝒄𝒆𝒏𝒆. 𝑻𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒖𝒏𝒇𝒐𝒍𝒅𝒔 𝒘𝒊𝒕𝒉 𝒂 𝒔𝒊𝒓𝒆𝒏 𝒑𝒆𝒓𝒄𝒉𝒆𝒅 𝒂𝒕 𝒂 𝒄𝒍𝒊𝒇𝒇'𝒔 𝒆𝒅𝒈𝒆, 𝒄𝒓𝒂𝒅𝒍𝒊𝒏𝒈 𝒂 𝒍𝒚𝒓𝒆 𝒊𝒏 𝒉𝒆𝒓 𝒂𝒓𝒎𝒔, 𝒈𝒂𝒛𝒊𝒏𝒈 𝒅𝒐𝒘𝒏 𝒂𝒕 𝒂 𝒔𝒂𝒊𝒍𝒐𝒓 𝒘𝒉𝒐 𝒎𝒆𝒆𝒕𝒔 𝒉𝒆𝒓 𝒈𝒂𝒛𝒆 𝒊𝒏𝒕𝒊𝒎𝒂𝒕𝒆𝒍𝒚 𝒂𝒇𝒕𝒆𝒓 𝒂 𝒔𝒉𝒊𝒑𝒘𝒓𝒆𝒄𝒌. 𝑪𝒐𝒏𝒕𝒓𝒂𝒓𝒚 𝒕𝒐 𝒕𝒉𝒆 𝒎𝒐𝒏𝒔𝒕𝒓𝒐𝒖𝒔 𝒅𝒆𝒑𝒊𝒄𝒕𝒊𝒐𝒏 𝒊𝒏 𝑮𝒓𝒆𝒆𝒌 𝒎𝒚𝒕𝒉𝒐𝒍𝒐𝒈𝒚, 𝒕𝒉𝒆 𝑺𝒊𝒓𝒆𝒏 𝒉𝒆𝒓𝒆 𝒂𝒑𝒑𝒆𝒂𝒓𝒔 𝒎𝒐𝒓𝒆 𝒉𝒖𝒎𝒂𝒏 𝒕𝒉𝒂𝒏 𝒃𝒆𝒂𝒔𝒕𝒍𝒚, 𝒆𝒎𝒑𝒉𝒂𝒔𝒊𝒛𝒊𝒏𝒈 𝒊𝒏𝒏𝒐𝒄𝒆𝒏𝒄𝒆 𝒐𝒗𝒆𝒓 𝒎𝒂𝒍𝒆𝒗𝒐𝒍𝒆𝒏𝒄𝒆. 𝑪𝒐𝒎𝒑𝒍𝒆𝒕𝒆𝒅 𝒂𝒓𝒐𝒖𝒏𝒅 𝟏𝟗𝟎𝟎, 𝒕𝒉𝒊𝒔 𝒐𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔 𝒆𝒙𝒆𝒎𝒑𝒍𝒊𝒇𝒊𝒆𝒔 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒂𝒃𝒊𝒍𝒊𝒕𝒚 𝒕𝒐 𝒎𝒆𝒓𝒈𝒆 𝒄𝒍𝒂𝒔𝒔𝒊𝒄𝒂𝒍 𝒎𝒚𝒕𝒉𝒐𝒍𝒐𝒈𝒚 𝒘𝒊𝒕𝒉 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒆𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏. 𝑺𝒊𝒓𝒆𝒏𝒔, 𝒏𝒐𝒕𝒐𝒓𝒊𝒐𝒖𝒔 𝒇𝒐𝒓 𝒍𝒖𝒓𝒊𝒏𝒈 𝒔𝒂𝒊𝒍𝒐𝒓𝒔 𝒕𝒐 𝒕𝒉𝒆𝒊𝒓 𝒅𝒆𝒎𝒊𝒔𝒆 𝒘𝒊𝒕𝒉 𝒆𝒏𝒄𝒉𝒂𝒏𝒕𝒊𝒏𝒈 𝒔𝒐𝒏𝒈𝒔, 𝒕𝒂𝒌𝒆 𝒐𝒏 𝒂 𝒅𝒊𝒇𝒇𝒆𝒓𝒆𝒏𝒕 𝒑𝒆𝒓𝒔𝒐𝒏𝒂 𝒊𝒏 𝒕𝒉𝒊𝒔 𝒄𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏. 𝑻𝒉𝒆 𝒔𝒖𝒃𝒕𝒍𝒆 𝒔𝒄𝒂𝒍𝒆𝒔 𝒐𝒏 𝒕𝒉𝒆 𝑺𝒊𝒓𝒆𝒏'𝒔 𝒍𝒆𝒈𝒔 𝒑𝒓𝒐𝒗𝒊𝒅𝒆 𝒂 𝒉𝒊𝒏𝒕 𝒐𝒇 𝒉𝒆𝒓 𝒎𝒚𝒕𝒉𝒊𝒄𝒂𝒍 𝒏𝒂𝒕𝒖𝒓𝒆, 𝒚𝒆𝒕 𝒕𝒉𝒆 𝒐𝒗𝒆𝒓𝒂𝒍𝒍 𝒑𝒐𝒓𝒕𝒓𝒂𝒚𝒂𝒍 𝒍𝒆𝒂𝒏𝒔 𝒕𝒐𝒘𝒂𝒓𝒅𝒔 𝒑𝒐𝒓𝒕𝒓𝒂𝒚𝒊𝒏𝒈 𝒉𝒆𝒓 𝒂𝒔 𝒂 𝒇𝒊𝒈𝒖𝒓𝒆 𝒐𝒇 𝒅𝒆𝒍𝒊𝒄𝒂𝒕𝒆 𝒃𝒆𝒂𝒖𝒕𝒚. 𝑻𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈'𝒔 𝒓𝒐𝒎𝒂𝒏𝒕𝒊𝒄 𝒔𝒆𝒕𝒕𝒊𝒏𝒈 𝒖𝒏𝒇𝒐𝒍𝒅𝒔 𝒂𝒔 𝒂 𝒚𝒐𝒖𝒏𝒈 𝒘𝒐𝒎𝒂𝒏 𝒆𝒙𝒕𝒆𝒏𝒅𝒔 𝒉𝒆𝒓 𝒉𝒂𝒏𝒅 𝒕𝒐 𝒂 𝒔𝒉𝒊𝒑𝒘𝒓𝒆𝒄𝒌𝒆𝒅 𝒚𝒐𝒖𝒏𝒈 𝒎𝒂𝒏, 𝒘𝒂𝒔𝒉𝒆𝒅 𝒂𝒔𝒉𝒐𝒓𝒆. 𝑻𝒉𝒆 𝒎𝒂𝒏 𝒍𝒐𝒐𝒌𝒔 𝒖𝒑 𝒘𝒊𝒕𝒉 𝒅𝒆𝒔𝒑𝒆𝒓𝒂𝒕𝒊𝒐𝒏, 𝒂𝒏𝒅 𝒔𝒉𝒆 𝒔𝒕𝒂𝒏𝒅𝒔 𝒖𝒏𝒅𝒓𝒆𝒔𝒔𝒆𝒅, 𝒉𝒐𝒍𝒅𝒊𝒏𝒈 𝒂 𝒍𝒚𝒓𝒆 𝒖𝒏𝒅𝒆𝒓 𝒉𝒆𝒓 𝒍𝒆𝒇𝒕 𝒂𝒓𝒎—𝒂 𝒏𝒐𝒅 𝒕𝒐 𝒎𝒚𝒕𝒉𝒐𝒍𝒐𝒈𝒊𝒄𝒂𝒍 𝒔𝒚𝒎𝒃𝒐𝒍𝒊𝒔𝒎. 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆 𝒆𝒙𝒑𝒆𝒓𝒕𝒍𝒚 𝒄𝒂𝒑𝒕𝒖𝒓𝒆𝒔 𝒕𝒉𝒆 𝒎𝒐𝒎𝒆𝒏𝒕 𝒐𝒇 𝒖𝒏𝒄𝒆𝒓𝒕𝒂𝒊𝒏𝒕𝒚, 𝒃𝒍𝒖𝒓𝒓𝒊𝒏𝒈 𝒕𝒉𝒆 𝒍𝒊𝒏𝒆𝒔 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒅𝒓𝒆𝒂𝒎, 𝒓𝒆𝒂𝒍𝒊𝒕𝒚, 𝒂𝒏𝒅 𝒑𝒐𝒕𝒆𝒏𝒕𝒊𝒂𝒍 𝒅𝒂𝒏𝒈𝒆𝒓 𝒄𝒐𝒏𝒄𝒆𝒂𝒍𝒆𝒅 𝒃𝒆𝒉𝒊𝒏𝒅 𝒕𝒉𝒆 𝒇𝒂𝒄𝒂𝒅𝒆 𝒐𝒇 𝒂 𝒔𝒕𝒖𝒏𝒏𝒊𝒏𝒈 𝒚𝒐𝒖𝒏𝒈 𝒘𝒐𝒎𝒂𝒏. 𝑰𝒏 𝒕𝒉𝒆 𝒃𝒂𝒄𝒌𝒈𝒓𝒐𝒖𝒏𝒅, 𝒘𝒂𝒗𝒆𝒔 𝒔𝒘𝒆𝒆𝒑 𝒂𝒓𝒐𝒖𝒏𝒅 𝒏𝒂𝒕𝒖𝒓𝒂𝒍 𝒂𝒓𝒄𝒉𝒆𝒔 𝒐𝒇 𝒔𝒕𝒐𝒏𝒆 𝒍𝒆𝒂𝒅𝒊𝒏𝒈 𝒐𝒖𝒕 𝒐𝒇 𝒕𝒉𝒆 𝒘𝒂𝒕𝒆𝒓, 𝒄𝒐𝒏𝒕𝒓𝒊𝒃𝒖𝒕𝒊𝒏𝒈 𝒕𝒐 𝒕𝒉𝒆 𝒐𝒗𝒆𝒓𝒂𝒍𝒍 𝒂𝒆𝒔𝒕𝒉𝒆𝒕𝒊𝒄 𝒄𝒉𝒂𝒓𝒎. 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒎𝒆𝒕𝒊𝒄𝒖𝒍𝒐𝒖𝒔 𝒂𝒕𝒕𝒆𝒏𝒕𝒊𝒐𝒏 𝒕𝒐 𝒅𝒆𝒕𝒂𝒊𝒍 𝒊𝒔 𝒆𝒗𝒊𝒅𝒆𝒏𝒕, 𝒔𝒉𝒐𝒘𝒄𝒂𝒔𝒊𝒏𝒈 𝒕𝒉𝒆 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆 𝒐𝒇 𝒉𝒊𝒔 𝒓𝒊𝒈𝒐𝒓𝒐𝒖𝒔 𝒂𝒄𝒂𝒅𝒆𝒎𝒊𝒄 𝒕𝒓𝒂𝒊𝒏𝒊𝒏𝒈 𝒂𝒏𝒅 𝒉𝒊𝒔 𝒎𝒂𝒔𝒕𝒆𝒓𝒚 𝒐𝒇 𝒑𝒐𝒓𝒕𝒓𝒂𝒊𝒕𝒖𝒓𝒆. 𝑩𝒐𝒓𝒏 𝒊𝒏 𝑹𝒐𝒎𝒆 𝒊𝒏 𝟏𝟖𝟒𝟗, 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒇𝒂𝒎𝒊𝒍𝒚 𝒓𝒆𝒕𝒖𝒓𝒏𝒆𝒅 𝒕𝒐 𝑬𝒏𝒈𝒍𝒂𝒏𝒅 𝒘𝒉𝒆𝒏 𝒉𝒆 𝒘𝒂𝒔 𝒂 𝒄𝒉𝒊𝒍𝒅. 𝑯𝒊𝒔 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒋𝒐𝒖𝒓𝒏𝒆𝒚 𝒃𝒆𝒈𝒂𝒏 𝒘𝒊𝒕𝒉 𝒔𝒌𝒆𝒕𝒄𝒉𝒆𝒔 𝒂𝒕 𝒕𝒉𝒆 𝑩𝒓𝒊𝒕𝒊𝒔𝒉 𝑴𝒖𝒔𝒆𝒖𝒎 𝒂𝒏𝒅 𝒕𝒉𝒆 𝑵𝒂𝒕𝒊𝒐𝒏𝒂𝒍 𝑮𝒂𝒍𝒍𝒆𝒓𝒚. 𝑯𝒆 𝒍𝒂𝒕𝒆𝒓 𝒔𝒕𝒖𝒅𝒊𝒆𝒅 𝒂𝒕 𝒕𝒉𝒆 𝑹𝒐𝒚𝒂𝒍 𝑨𝒄𝒂𝒅𝒆𝒎𝒚 𝒐𝒇 𝑨𝒓𝒕, 𝒊𝒏𝒊𝒕𝒊𝒂𝒍𝒍𝒚 𝒇𝒐𝒄𝒖𝒔𝒊𝒏𝒈 𝒐𝒏 𝒔𝒄𝒖𝒍𝒑𝒕𝒖𝒓𝒆 𝒃𝒆𝒇𝒐𝒓𝒆 𝒕𝒖𝒓𝒏𝒊𝒏𝒈 𝒉𝒊𝒔 𝒂𝒕𝒕𝒆𝒏𝒕𝒊𝒐𝒏 𝒕𝒐 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈. 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒆𝒂𝒓𝒍𝒚 𝒘𝒐𝒓𝒌𝒔 𝒓𝒆𝒇𝒍𝒆𝒄𝒕𝒆𝒅 𝒔𝒄𝒆𝒏𝒆𝒔 𝒐𝒇 𝒅𝒂𝒊𝒍𝒚 𝒍𝒊𝒇𝒆 𝒂𝒏𝒅 𝑮𝒓𝒆𝒆𝒌 𝒎𝒚𝒕𝒉𝒐𝒍𝒐𝒈𝒚. 𝑨𝒔 𝒕𝒉𝒆 𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕 𝒘𝒂𝒏𝒆𝒅, 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆 𝒆𝒎𝒃𝒓𝒂𝒄𝒆𝒅 𝒊𝒕𝒔 𝒔𝒕𝒚𝒍𝒆, 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓𝒊𝒛𝒆𝒅 𝒃𝒚 𝒅𝒆𝒕𝒂𝒊𝒍𝒆𝒅 𝒄𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏𝒔, 𝒊𝒏𝒕𝒆𝒏𝒔𝒆 𝒄𝒐𝒍𝒐𝒓𝒔, 𝒂𝒏𝒅 𝒂 𝒓𝒆𝒕𝒖𝒓𝒏 𝒕𝒐 𝒎𝒆𝒅𝒊𝒆𝒗𝒂𝒍 𝒂𝒓𝒕 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆𝒔. 𝑻𝒉𝒆 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕 𝒔𝒐𝒖𝒈𝒉𝒕 𝒕𝒐 𝒓𝒆𝒗𝒊𝒗𝒆 𝒕𝒉𝒆 𝒆𝒔𝒔𝒆𝒏𝒄𝒆 𝒍𝒐𝒔𝒕 𝒊𝒏 𝑴𝒂𝒏𝒏𝒆𝒓𝒊𝒔𝒕 𝒔𝒕𝒚𝒍𝒆𝒔 𝒑𝒐𝒑𝒖𝒍𝒂𝒓𝒊𝒛𝒆𝒅 𝒅𝒖𝒓𝒊𝒏𝒈 𝒕𝒉𝒆 𝑹𝒆𝒏𝒂𝒊𝒔𝒔𝒂𝒏𝒄𝒆. 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒂𝒓𝒕 𝒅𝒓𝒆𝒘 𝒊𝒏𝒔𝒑𝒊𝒓𝒂𝒕𝒊𝒐𝒏 𝒇𝒓𝒐𝒎 𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄𝒊𝒔𝒎, 𝒔𝒑𝒊𝒓𝒊𝒕𝒖𝒂𝒍𝒊𝒕𝒚, 𝒂𝒏𝒅 𝒍𝒊𝒕𝒆𝒓𝒂𝒓𝒚 𝒕𝒉𝒆𝒎𝒆𝒔, 𝒐𝒇𝒕𝒆𝒏 𝒇𝒆𝒂𝒕𝒖𝒓𝒊𝒏𝒈 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓𝒔 𝒇𝒓𝒐𝒎 𝒎𝒚𝒕𝒉𝒐𝒍𝒐𝒈𝒚, 𝒑𝒐𝒆𝒕𝒓𝒚, 𝒂𝒏𝒅 𝒍𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆. 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒂𝒇𝒇𝒊𝒏𝒊𝒕𝒚 𝒇𝒐𝒓 𝒑𝒐𝒓𝒕𝒓𝒂𝒚𝒊𝒏𝒈 𝒇𝒆𝒎𝒂𝒍𝒆 𝒔𝒖𝒃𝒋𝒆𝒄𝒕𝒔 𝒊𝒔 𝒆𝒗𝒊𝒅𝒆𝒏𝒕 𝒊𝒏 𝒘𝒐𝒓𝒌𝒔 𝒔𝒖𝒄𝒉 𝒂𝒔 '𝑻𝒉𝒆 𝑺𝒊𝒓𝒆𝒏.' 𝑯𝒊𝒔 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈𝒔 𝒐𝒇𝒕𝒆𝒏 𝒅𝒆𝒑𝒊𝒄𝒕𝒆𝒅 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓𝒔 𝒇𝒓𝒐𝒎 𝑺𝒉𝒂𝒌𝒆𝒔𝒑𝒆𝒂𝒓𝒆𝒂𝒏 𝒑𝒍𝒂𝒚𝒔, 𝒘𝒊𝒕𝒉 𝑶𝒑𝒉𝒆𝒍𝒊𝒂 𝒇𝒓𝒐𝒎 '𝑯𝒂𝒎𝒍𝒆𝒕' 𝒃𝒆𝒊𝒏𝒈 𝒂 𝒓𝒆𝒄𝒖𝒓𝒓𝒊𝒏𝒈 𝒎𝒖𝒔𝒆. '𝑻𝒉𝒆 𝑳𝒂𝒅𝒚 𝒐𝒇 𝑺𝒉𝒂𝒍𝒐𝒕𝒕' (𝟏𝟖𝟖𝟖), 𝒊𝒏𝒔𝒑𝒊𝒓𝒆𝒅 𝒃𝒚 𝑻𝒆𝒏𝒏𝒚𝒔𝒐𝒏'𝒔 𝒑𝒐𝒆𝒎, 𝒂𝒏𝒅 𝒐𝒕𝒉𝒆𝒓 𝑺𝒉𝒂𝒌𝒆𝒔𝒑𝒆𝒂𝒓𝒆𝒂𝒏 𝒇𝒊𝒈𝒖𝒓𝒆𝒔 𝒍𝒊𝒌𝒆 𝑪𝒍𝒆𝒐𝒑𝒂𝒕𝒓𝒂 𝒂𝒏𝒅 𝑱𝒖𝒍𝒊𝒆𝒕 𝒖𝒏𝒅𝒆𝒓𝒔𝒄𝒐𝒓𝒆 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒄𝒐𝒎𝒎𝒊𝒕𝒎𝒆𝒏𝒕 𝒕𝒐 𝒃𝒓𝒊𝒅𝒈𝒊𝒏𝒈 𝒕𝒉𝒆 𝒘𝒐𝒓𝒍𝒅𝒔 𝒐𝒇 𝒍𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆 𝒂𝒏𝒅 𝒂𝒓𝒕. 𝑰𝒏 '𝑻𝒉𝒆 𝑺𝒊𝒓𝒆𝒏,' 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆'𝒔 𝒖𝒏𝒊𝒒𝒖𝒆 𝒊𝒏𝒕𝒆𝒓𝒑𝒓𝒆𝒕𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝒂 𝒕𝒊𝒎𝒆𝒍𝒆𝒔𝒔 𝒎𝒚𝒕𝒉 𝒔𝒉𝒐𝒘𝒄𝒂𝒔𝒆𝒔 𝒉𝒊𝒔 𝒂𝒃𝒊𝒍𝒊𝒕𝒚 𝒕𝒐 𝒆𝒗𝒐𝒌𝒆 𝒆𝒎𝒐𝒕𝒊𝒐𝒏, 𝒄𝒉𝒂𝒍𝒍𝒆𝒏𝒈𝒆 𝒔𝒕𝒆𝒓𝒆𝒐𝒕𝒚𝒑𝒆𝒔, 𝒂𝒏𝒅 𝒄𝒓𝒆𝒂𝒕𝒆 𝒂 𝒉𝒂𝒓𝒎𝒐𝒏𝒊𝒐𝒖𝒔 𝒃𝒍𝒆𝒏𝒅 𝒐𝒇 𝒄𝒍𝒂𝒔𝒔𝒊𝒄𝒂𝒍 𝒏𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆𝒔 𝒘𝒊𝒕𝒉 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒆𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏. 𝑻𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝒍𝒆𝒏𝒔 𝒐𝒇 𝒕𝒉𝒊𝒔 𝒄𝒂𝒑𝒕𝒊𝒗𝒂𝒕𝒊𝒏𝒈 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈, 𝒗𝒊𝒆𝒘𝒆𝒓𝒔 𝒂𝒓𝒆 𝒊𝒏𝒗𝒊𝒕𝒆𝒅 𝒕𝒐 𝒓𝒆𝒄𝒐𝒏𝒔𝒊𝒅𝒆𝒓 𝒕𝒉𝒆 𝒇𝒂𝒎𝒊𝒍𝒊𝒂𝒓 𝒕𝒂𝒍𝒆𝒔 𝒐𝒇 𝑺𝒊𝒓𝒆𝒏𝒔 𝒂𝒏𝒅 𝒂𝒑𝒑𝒓𝒆𝒄𝒊𝒂𝒕𝒆 𝒕𝒉𝒆 𝒏𝒖𝒂𝒏𝒄𝒆𝒅 𝒃𝒆𝒂𝒖𝒕𝒚 𝒘𝒊𝒕𝒉𝒊𝒏 𝒕𝒉𝒆 𝒎𝒚𝒕𝒉𝒊𝒄𝒂𝒍 𝒓𝒆𝒂𝒍𝒎 𝒂𝒔 𝒆𝒏𝒗𝒊𝒔𝒊𝒐𝒏𝒆𝒅 𝒃𝒚 𝑱𝒐𝒉𝒏 𝑾𝒊𝒍𝒍𝒊𝒂𝒎 𝑾𝒂𝒕𝒆𝒓𝒉𝒐𝒖𝒔𝒆.