MARTIN J.HEADE - Two Green-Breasted Hummingbirds - Canvas Print

----------------------------------------------------------------------------------𝑴𝒂𝒓𝒕𝒊𝒏 𝑱𝒐𝒉𝒏𝒔𝒐𝒏 𝑯𝒆𝒂𝒅𝒆 (𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏, 𝟏𝟖𝟏𝟗 - 𝟏𝟗𝟎𝟒) - 𝑻𝒘𝒐 𝑮𝒓𝒆𝒆𝒏-𝑩𝒓𝒆𝒂𝒔𝒕𝒆𝒅 𝑯𝒖𝒎𝒎𝒊𝒏𝒈𝒃𝒊𝒓𝒅𝒔 - 𝒄. 𝟏𝟖𝟔𝟑-𝟔𝟒 - 𝑳𝒖𝒎𝒊𝒏𝒊𝒔𝒎 (𝑯𝒖𝒅𝒔𝒐𝒏 𝑹𝒊𝒗𝒆𝒓 𝑺𝒄𝒉𝒐𝒐𝒍) - 𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄𝒊𝒔𝒎 - 𝑵𝒂𝒕𝒖𝒓𝒂𝒍𝒊𝒔𝒕𝒊𝒄 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 - 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔 -𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 ---------------------------------𝑰𝒏 𝒕𝒉𝒆 𝒉𝒆𝒂𝒓𝒕 𝒐𝒇 𝒂 𝒅𝒆𝒏𝒔𝒆, 𝒗𝒆𝒓𝒅𝒂𝒏𝒕 𝒋𝒖𝒏𝒈𝒍𝒆, 𝒘𝒉𝒆𝒓𝒆 𝒕𝒉𝒆 𝒂𝒊𝒓 𝒉𝒖𝒏𝒈 𝒉𝒆𝒂𝒗𝒚 𝒘𝒊𝒕𝒉 𝒎𝒊𝒔𝒕 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒘𝒉𝒊𝒔𝒑𝒆𝒓𝒔 𝒐𝒇 𝒖𝒏𝒔𝒆𝒆𝒏 𝒄𝒓𝒆𝒂𝒕𝒖𝒓𝒆𝒔, 𝒕𝒉𝒆𝒓𝒆 𝒆𝒙𝒊𝒔𝒕𝒔 𝒂 𝒎𝒐𝒎𝒆𝒏𝒕 𝒇𝒓𝒐𝒛𝒆𝒏 𝒊𝒏 𝒕𝒊𝒎𝒆—𝒂 𝒎𝒐𝒎𝒆𝒏𝒕 𝒄𝒂𝒑𝒕𝒖𝒓𝒆𝒅 𝒃𝒚 𝒕𝒉𝒆 𝒅𝒆𝒇𝒕 𝒔𝒕𝒓𝒐𝒌𝒆𝒔 𝒐𝒇 𝑴𝒂𝒓𝒕𝒊𝒏 𝑱𝒐𝒉𝒏𝒔𝒐𝒏 𝑯𝒆𝒂𝒅𝒆'𝒔 𝒃𝒓𝒖𝒔𝒉. 𝑰𝒏 𝒕𝒉𝒊𝒔 𝒎𝒐𝒎𝒆𝒏𝒕, 𝒂𝒎𝒊𝒅𝒔𝒕 𝒕𝒉𝒆 𝒆𝒎𝒆𝒓𝒂𝒍𝒅 𝒇𝒐𝒍𝒊𝒂𝒈𝒆 𝒂𝒏𝒅 𝒕𝒐𝒘𝒆𝒓𝒊𝒏𝒈 𝒑𝒂𝒍𝒎𝒔, 𝒕𝒘𝒐 𝒈𝒓𝒆𝒆𝒏-𝒃𝒓𝒆𝒂𝒔𝒕𝒆𝒅 𝒉𝒖𝒎𝒎𝒊𝒏𝒈𝒃𝒊𝒓𝒅𝒔 𝒅𝒂𝒏𝒄𝒆 𝒖𝒑𝒐𝒏 𝒔𝒍𝒆𝒏𝒅𝒆𝒓 𝒃𝒓𝒐𝒘𝒏𝒊𝒔𝒉 𝒕𝒘𝒊𝒈𝒔, 𝒕𝒉𝒆𝒊𝒓 𝒊𝒓𝒊𝒅𝒆𝒔𝒄𝒆𝒏𝒕 𝒇𝒆𝒂𝒕𝒉𝒆𝒓𝒔 𝒔𝒉𝒊𝒎𝒎𝒆𝒓𝒊𝒏𝒈 𝒍𝒊𝒌𝒆 𝒋𝒆𝒘𝒆𝒍𝒔 𝒊𝒏 𝒕𝒉𝒆 𝒅𝒂𝒑𝒑𝒍𝒆𝒅 𝒔𝒖𝒏𝒍𝒊𝒈𝒉𝒕 𝒇𝒊𝒍𝒕𝒆𝒓𝒊𝒏𝒈 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝒄𝒂𝒏𝒐𝒑𝒚 𝒂𝒃𝒐𝒗𝒆. 𝑶𝒏𝒆 𝒉𝒖𝒎𝒎𝒊𝒏𝒈𝒃𝒊𝒓𝒅 𝒔𝒕𝒓𝒆𝒕𝒄𝒉𝒆𝒔 𝒊𝒕𝒔 𝒘𝒊𝒏𝒈𝒔 𝒘𝒊𝒅𝒆, 𝒂 𝒗𝒊𝒃𝒓𝒂𝒏𝒕 𝒅𝒊𝒔𝒑𝒍𝒂𝒚 𝒐𝒇 𝒊𝒓𝒊𝒅𝒆𝒔𝒄𝒆𝒏𝒄𝒆 𝒂𝒈𝒂𝒊𝒏𝒔𝒕 𝒕𝒉𝒆 𝒃𝒂𝒄𝒌𝒅𝒓𝒐𝒑 𝒐𝒇 𝒍𝒖𝒔𝒉 𝒈𝒓𝒆𝒆𝒏𝒆𝒓𝒚. 𝑰𝒕𝒔 𝒄𝒐𝒎𝒑𝒂𝒏𝒊𝒐𝒏, 𝒑𝒆𝒓𝒉𝒂𝒑𝒔 𝒓𝒆𝒔𝒕𝒊𝒏𝒈 𝒂𝒇𝒕𝒆𝒓 𝒂 𝒇𝒍𝒊𝒈𝒉𝒕 𝒐𝒇 𝒇𝒂𝒏𝒄𝒚, 𝒇𝒐𝒍𝒅𝒔 𝒊𝒕𝒔 𝒘𝒊𝒏𝒈𝒔 𝒄𝒍𝒐𝒔𝒆 𝒕𝒐 𝒊𝒕𝒔 𝒔𝒍𝒆𝒏𝒅𝒆𝒓 𝒃𝒐𝒅𝒚, 𝒂 𝒑𝒊𝒄𝒕𝒖𝒓𝒆 𝒐𝒇 𝒔𝒆𝒓𝒆𝒏𝒆 𝒆𝒍𝒆𝒈𝒂𝒏𝒄𝒆. 𝑻𝒐𝒈𝒆𝒕𝒉𝒆𝒓, 𝒕𝒉𝒆𝒚 𝒇𝒐𝒓𝒎 𝒂 𝒕𝒂𝒃𝒍𝒆𝒂𝒖 𝒐𝒇 𝒈𝒓𝒂𝒄𝒆 𝒂𝒏𝒅 𝒃𝒆𝒂𝒖𝒕𝒚, 𝒂 𝒕𝒆𝒔𝒕𝒂𝒎𝒆𝒏𝒕 𝒕𝒐 𝒕𝒉𝒆 𝒊𝒏𝒕𝒓𝒊𝒄𝒂𝒕𝒆 𝒘𝒐𝒏𝒅𝒆𝒓𝒔 𝒐𝒇 𝒕𝒉𝒆 𝒏𝒂𝒕𝒖𝒓𝒂𝒍 𝒘𝒐𝒓𝒍𝒅. 𝑵𝒆𝒂𝒓𝒃𝒚, 𝒏𝒆𝒔𝒕𝒍𝒆𝒅 𝒂𝒎𝒐𝒏𝒈 𝒕𝒉𝒆 𝒕𝒘𝒊𝒈𝒔 𝒂𝒏𝒅 𝒍𝒆𝒂𝒗𝒆𝒔, 𝒍𝒊𝒆𝒔 𝒂 𝒏𝒆𝒔𝒕—𝒂 𝒎𝒂𝒔𝒕𝒆𝒓𝒑𝒊𝒆𝒄𝒆 𝒐𝒇 𝒂𝒗𝒊𝒂𝒏 𝒂𝒓𝒄𝒉𝒊𝒕𝒆𝒄𝒕𝒖𝒓𝒆. 𝑺𝒐𝒇𝒕 𝒂𝒏𝒅 𝒎𝒆𝒕𝒊𝒄𝒖𝒍𝒐𝒖𝒔𝒍𝒚 𝒄𝒐𝒏𝒔𝒕𝒓𝒖𝒄𝒕𝒆𝒅, 𝒊𝒕 𝒄𝒓𝒂𝒅𝒍𝒆𝒔 𝒂 𝒄𝒍𝒖𝒕𝒄𝒉 𝒐𝒇 𝒅𝒆𝒍𝒊𝒄𝒂𝒕𝒆 𝒆𝒈𝒈𝒔, 𝒔𝒚𝒎𝒃𝒐𝒍𝒔 𝒐𝒇 𝒏𝒆𝒘 𝒍𝒊𝒇𝒆 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒆𝒕𝒆𝒓𝒏𝒂𝒍 𝒄𝒚𝒄𝒍𝒆 𝒐𝒇 𝒃𝒊𝒓𝒕𝒉 𝒂𝒏𝒅 𝒓𝒆𝒃𝒊𝒓𝒕𝒉. 𝑻𝒉𝒆 𝒔𝒄𝒆𝒏𝒆 𝒊𝒔 𝒂𝒍𝒊𝒗𝒆 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒉𝒖𝒎 𝒐𝒇 𝒕𝒊𝒏𝒚 𝒘𝒊𝒏𝒈𝒔 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒑𝒓𝒐𝒎𝒊𝒔𝒆 𝒐𝒇 𝒕𝒐𝒎𝒐𝒓𝒓𝒐𝒘. 𝑩𝒖𝒕 𝒃𝒆𝒚𝒐𝒏𝒅 𝒕𝒉𝒆 𝒊𝒎𝒎𝒆𝒅𝒊𝒂𝒄𝒚 𝒐𝒇 𝒕𝒉𝒊𝒔 𝒆𝒏𝒄𝒉𝒂𝒏𝒕𝒊𝒏𝒈 𝒎𝒐𝒎𝒆𝒏𝒕 𝒍𝒊𝒆𝒔 𝒂 𝒅𝒆𝒆𝒑𝒆𝒓 𝒏𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆—𝒂 𝒔𝒕𝒐𝒓𝒚 𝒐𝒇 𝒂𝒎𝒃𝒊𝒕𝒊𝒐𝒏 𝒂𝒏𝒅 𝒔𝒕𝒓𝒖𝒈𝒈𝒍𝒆, 𝒐𝒇 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒗𝒊𝒔𝒊𝒐𝒏 𝒕𝒉𝒘𝒂𝒓𝒕𝒆𝒅 𝒃𝒚 𝒕𝒉𝒆 𝒉𝒂𝒓𝒔𝒉 𝒓𝒆𝒂𝒍𝒊𝒕𝒊𝒆𝒔 𝒐𝒇 𝒕𝒉𝒆 𝒘𝒐𝒓𝒍𝒅. 𝑭𝒐𝒓 𝑴𝒂𝒓𝒕𝒊𝒏 𝑱𝒐𝒉𝒏𝒔𝒐𝒏 𝑯𝒆𝒂𝒅𝒆, 𝒕𝒉𝒆 𝒄𝒓𝒆𝒂𝒕𝒐𝒓 𝒐𝒇 𝒕𝒉𝒊𝒔 𝒆𝒙𝒒𝒖𝒊𝒔𝒊𝒕𝒆 𝒔𝒄𝒆𝒏𝒆, 𝒘𝒂𝒔 𝒏𝒐𝒕 𝒎𝒆𝒓𝒆𝒍𝒚 𝒂 𝒑𝒂𝒊𝒏𝒕𝒆𝒓, 𝒃𝒖𝒕 𝒂 𝒅𝒓𝒆𝒂𝒎𝒆𝒓 𝒂𝒏𝒅 𝒂 𝒑𝒊𝒐𝒏𝒆𝒆𝒓 𝒊𝒏 𝒕𝒉𝒆 𝒓𝒆𝒂𝒍𝒎 𝒐𝒇 𝒏𝒂𝒕𝒖𝒓𝒂𝒍 𝒉𝒊𝒔𝒕𝒐𝒓𝒚 𝒊𝒍𝒍𝒖𝒔𝒕𝒓𝒂𝒕𝒊𝒐𝒏. 𝑰𝒏𝒔𝒑𝒊𝒓𝒆𝒅 𝒃𝒚 𝒕𝒉𝒆 𝒕𝒓𝒐𝒑𝒊𝒄𝒂𝒍 𝒔𝒑𝒍𝒆𝒏𝒅𝒐𝒓 𝒐𝒇 𝑺𝒐𝒖𝒕𝒉 𝑨𝒎𝒆𝒓𝒊𝒄𝒂, 𝑯𝒆𝒂𝒅𝒆 𝒆𝒎𝒃𝒂𝒓𝒌𝒆𝒅 𝒐𝒏 𝒂 𝒋𝒐𝒖𝒓𝒏𝒆𝒚 𝒕𝒐 𝑩𝒓𝒂𝒛𝒊𝒍 𝒊𝒏 𝟏𝟖𝟔𝟑, 𝒇𝒖𝒆𝒍𝒆𝒅 𝒃𝒚 𝒂 𝒔𝒊𝒏𝒈𝒖𝒍𝒂𝒓 𝒑𝒖𝒓𝒑𝒐𝒔𝒆: 𝒕𝒐 𝒄𝒂𝒑𝒕𝒖𝒓𝒆 𝒕𝒉𝒆 𝒃𝒆𝒂𝒖𝒕𝒚 𝒐𝒇 𝒆𝒗𝒆𝒓𝒚 𝑺𝒐𝒖𝒕𝒉 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒉𝒖𝒎𝒎𝒊𝒏𝒈𝒃𝒊𝒓𝒅 𝒊𝒏 𝒂 𝒃𝒐𝒐𝒌 𝒐𝒇 𝒍𝒊𝒕𝒉𝒐𝒈𝒓𝒂𝒑𝒉𝒔 𝒕𝒊𝒕𝒍𝒆𝒅 𝑻𝒉𝒆 𝑮𝒆𝒎𝒔 𝒐𝒇 𝑩𝒓𝒂𝒛𝒊𝒍. 𝑨𝒓𝒎𝒆𝒅 𝒘𝒊𝒕𝒉 𝒉𝒊𝒔 𝒌𝒆𝒆𝒏 𝒑𝒐𝒘𝒆𝒓𝒔 𝒐𝒇 𝒐𝒃𝒔𝒆𝒓𝒗𝒂𝒕𝒊𝒐𝒏 𝒂𝒏𝒅 𝒂𝒏 𝒖𝒏𝒘𝒂𝒗𝒆𝒓𝒊𝒏𝒈 𝒑𝒂𝒔𝒔𝒊𝒐𝒏 𝒇𝒐𝒓 𝒉𝒊𝒔 𝒔𝒖𝒃𝒋𝒆𝒄𝒕, 𝑯𝒆𝒂𝒅𝒆 𝒔𝒑𝒆𝒏𝒕 𝒐𝒗𝒆𝒓 𝒂 𝒚𝒆𝒂𝒓 𝒊𝒏 𝑹𝒊𝒐 𝒅𝒆 𝑱𝒂𝒏𝒆𝒊𝒓𝒐, 𝒎𝒆𝒕𝒊𝒄𝒖𝒍𝒐𝒖𝒔𝒍𝒚 𝒅𝒐𝒄𝒖𝒎𝒆𝒏𝒕𝒊𝒏𝒈 𝒕𝒉𝒆 𝒅𝒊𝒗𝒆𝒓𝒔𝒆 𝒂𝒓𝒓𝒂𝒚 𝒐𝒇 𝒉𝒖𝒎𝒎𝒊𝒏𝒈𝒃𝒊𝒓𝒅 𝒔𝒑𝒆𝒄𝒊𝒆𝒔 𝒕𝒉𝒂𝒕 𝒑𝒐𝒑𝒖𝒍𝒂𝒕𝒆𝒅 𝒕𝒉𝒆 𝒓𝒆𝒈𝒊𝒐𝒏. 𝑯𝒊𝒔 𝒆𝒇𝒇𝒐𝒓𝒕𝒔 𝒈𝒂𝒓𝒏𝒆𝒓𝒆𝒅 𝒉𝒊𝒎 𝒑𝒓𝒂𝒊𝒔𝒆 𝒂𝒏𝒅 𝒔𝒖𝒑𝒑𝒐𝒓𝒕, 𝒘𝒊𝒕𝒉 𝑬𝒎𝒑𝒆𝒓𝒐𝒓 𝑫𝒐𝒎 𝑷𝒆𝒅𝒓𝒐 𝑰𝑰 𝒉𝒊𝒎𝒔𝒆𝒍𝒇 𝒆𝒏𝒅𝒐𝒓𝒔𝒊𝒏𝒈 𝒉𝒊𝒔 𝒂𝒎𝒃𝒊𝒕𝒊𝒐𝒖𝒔 𝒑𝒓𝒐𝒋𝒆𝒄𝒕. 𝒀𝒆𝒕, 𝒅𝒆𝒔𝒑𝒊𝒕𝒆 𝒉𝒊𝒔 𝒊𝒏𝒊𝒕𝒊𝒂𝒍 𝒔𝒖𝒄𝒄𝒆𝒔𝒔, 𝑯𝒆𝒂𝒅𝒆 𝒔𝒐𝒐𝒏 𝒇𝒐𝒖𝒏𝒅 𝒉𝒊𝒎𝒔𝒆𝒍𝒇 𝒇𝒂𝒄𝒊𝒏𝒈 𝒂 𝒉𝒐𝒔𝒕 𝒐𝒇 𝒄𝒉𝒂𝒍𝒍𝒆𝒏𝒈𝒆𝒔. 𝑰𝒏 𝒂 𝒘𝒐𝒓𝒍𝒅 𝒊𝒏𝒄𝒓𝒆𝒂𝒔𝒊𝒏𝒈𝒍𝒚 𝒑𝒓𝒆𝒐𝒄𝒄𝒖𝒑𝒊𝒆𝒅 𝒘𝒊𝒕𝒉 𝒔𝒄𝒊𝒆𝒏𝒕𝒊𝒇𝒊𝒄 𝒂𝒄𝒄𝒖𝒓𝒂𝒄𝒚 𝒂𝒏𝒅 𝒗𝒆𝒓𝒊𝒔𝒊𝒎𝒊𝒍𝒊𝒕𝒖𝒅𝒆, 𝒉𝒊𝒔 𝒇𝒂𝒏𝒄𝒊𝒇𝒖𝒍 𝒔𝒕𝒚𝒍𝒆 𝒂𝒏𝒅 𝒏𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆 𝒂𝒑𝒑𝒓𝒐𝒂𝒄𝒉 𝒕𝒐 𝒏𝒂𝒕𝒖𝒓𝒂𝒍 𝒉𝒊𝒔𝒕𝒐𝒓𝒚 𝒊𝒍𝒍𝒖𝒔𝒕𝒓𝒂𝒕𝒊𝒐𝒏 𝒇𝒆𝒍𝒍 𝒐𝒖𝒕 𝒐𝒇 𝒇𝒂𝒗𝒐𝒓. 𝑻𝒆𝒄𝒉𝒏𝒊𝒄𝒂𝒍 𝒍𝒊𝒎𝒊𝒕𝒂𝒕𝒊𝒐𝒏𝒔 𝒇𝒖𝒓𝒕𝒉𝒆𝒓 𝒄𝒐𝒎𝒑𝒐𝒖𝒏𝒅𝒆𝒅 𝒉𝒊𝒔 𝒔𝒕𝒓𝒖𝒈𝒈𝒍𝒆𝒔, 𝒂𝒔 𝒂𝒕𝒕𝒆𝒎𝒑𝒕𝒔 𝒕𝒐 𝒓𝒆𝒑𝒓𝒐𝒅𝒖𝒄𝒆 𝒉𝒊𝒔 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈𝒔 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒄𝒉𝒓𝒐𝒎𝒐𝒍𝒊𝒕𝒉𝒐𝒈𝒓𝒂𝒑𝒉𝒚 𝒑𝒓𝒐𝒗𝒆𝒅 𝒄𝒐𝒔𝒕𝒍𝒚 𝒂𝒏𝒅 𝒖𝒏𝒔𝒂𝒕𝒊𝒔𝒇𝒂𝒄𝒕𝒐𝒓𝒚. 𝑻𝒉𝒆 𝒗𝒊𝒃𝒓𝒂𝒏𝒕 𝒄𝒐𝒍𝒐𝒓𝒔 𝒐𝒇 𝒉𝒊𝒔 𝒐𝒓𝒊𝒈𝒊𝒏𝒂𝒍 𝒘𝒐𝒓𝒌𝒔 𝒇𝒂𝒊𝒍𝒆𝒅 𝒕𝒐 𝒕𝒓𝒂𝒏𝒔𝒍𝒂𝒕𝒆 𝒐𝒏𝒕𝒐 𝒕𝒉𝒆 𝒑𝒓𝒊𝒏𝒕𝒆𝒅 𝒑𝒂𝒈𝒆, 𝒍𝒆𝒂𝒗𝒊𝒏𝒈 𝑯𝒆𝒂𝒅𝒆 𝒅𝒊𝒔𝒊𝒍𝒍𝒖𝒔𝒊𝒐𝒏𝒆𝒅 𝒂𝒏𝒅 𝒅𝒊𝒔𝒉𝒆𝒂𝒓𝒕𝒆𝒏𝒆𝒅. 𝑰𝒏 𝒕𝒉𝒆 𝒆𝒏𝒅, 𝒅𝒆𝒔𝒑𝒊𝒕𝒆 𝒉𝒊𝒔 𝒃𝒆𝒔𝒕 𝒆𝒇𝒇𝒐𝒓𝒕𝒔, 𝑻𝒉𝒆 𝑮𝒆𝒎𝒔 𝒐𝒇 𝑩𝒓𝒂𝒛𝒊𝒍 𝒓𝒆𝒎𝒂𝒊𝒏𝒆𝒅 𝒖𝒏𝒇𝒊𝒏𝒊𝒔𝒉𝒆𝒅—𝒂 𝒕𝒂𝒏𝒕𝒂𝒍𝒊𝒛𝒊𝒏𝒈 𝒈𝒍𝒊𝒎𝒑𝒔𝒆 𝒊𝒏𝒕𝒐 𝒕𝒉𝒆 𝒖𝒏𝒇𝒖𝒍𝒇𝒊𝒍𝒍𝒆𝒅 𝒑𝒐𝒕𝒆𝒏𝒕𝒊𝒂𝒍 𝒐𝒇 𝒂 𝒗𝒊𝒔𝒊𝒐𝒏𝒂𝒓𝒚 𝒂𝒓𝒕𝒊𝒔𝒕. 𝒀𝒆𝒕, 𝒊𝒏 𝒕𝒉𝒊𝒔 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈, 𝒘𝒆 𝒇𝒊𝒏𝒅 𝒂 𝒈𝒍𝒊𝒎𝒎𝒆𝒓 𝒐𝒇 𝑯𝒆𝒂𝒅𝒆'𝒔 𝒆𝒏𝒅𝒖𝒓𝒊𝒏𝒈 𝒍𝒆𝒈𝒂𝒄𝒚—𝒂 𝒕𝒆𝒔𝒕𝒂𝒎𝒆𝒏𝒕 𝒕𝒐 𝒉𝒊𝒔 𝒖𝒏𝒘𝒂𝒗𝒆𝒓𝒊𝒏𝒈 𝒅𝒆𝒅𝒊𝒄𝒂𝒕𝒊𝒐𝒏 𝒕𝒐 𝒄𝒂𝒑𝒕𝒖𝒓𝒊𝒏𝒈 𝒕𝒉𝒆 𝒔𝒖𝒃𝒍𝒊𝒎𝒆 𝒃𝒆𝒂𝒖𝒕𝒚 𝒐𝒇 𝒕𝒉𝒆 𝒏𝒂𝒕𝒖𝒓𝒂𝒍 𝒘𝒐𝒓𝒍𝒅, 𝒆𝒗𝒆𝒏 𝒊𝒏 𝒕𝒉𝒆 𝒇𝒂𝒄𝒆 𝒐𝒇 𝒂𝒅𝒗𝒆𝒓𝒔𝒊𝒕𝒚. 𝑭𝒐𝒓 𝒊𝒏 𝒕𝒉𝒆 𝒅𝒆𝒍𝒊𝒄𝒂𝒕𝒆 𝒇𝒐𝒓𝒎 𝒐𝒇 𝒕𝒘𝒐 𝒈𝒓𝒆𝒆𝒏-𝒃𝒓𝒆𝒂𝒔𝒕𝒆𝒅 𝒉𝒖𝒎𝒎𝒊𝒏𝒈𝒃𝒊𝒓𝒅𝒔, 𝒑𝒐𝒊𝒔𝒆𝒅 𝒖𝒑𝒐𝒏 𝒕𝒉𝒆𝒊𝒓 𝒔𝒍𝒆𝒏𝒅𝒆𝒓 𝒑𝒆𝒓𝒄𝒉, 𝒘𝒆 𝒈𝒍𝒊𝒎𝒑𝒔𝒆 𝒕𝒉𝒆 𝒕𝒊𝒎𝒆𝒍𝒆𝒔𝒔 𝒎𝒂𝒋𝒆𝒔𝒕𝒚 𝒐𝒇 𝒄𝒓𝒆𝒂𝒕𝒊𝒐𝒏—𝒂 𝒇𝒍𝒆𝒆𝒕𝒊𝒏𝒈 𝒎𝒐𝒎𝒆𝒏𝒕 𝒐𝒇 𝒉𝒂𝒓𝒎𝒐𝒏𝒚 𝒂𝒏𝒅 𝒈𝒓𝒂𝒄𝒆 𝒂𝒎𝒊𝒅𝒔𝒕 𝒕𝒉𝒆 𝒕𝒖𝒎𝒖𝒍𝒕 𝒐𝒇 𝒆𝒙𝒊𝒔𝒕𝒆𝒏𝒄𝒆. 𝑨𝒏𝒅 𝒕𝒉𝒐𝒖𝒈𝒉 𝑯𝒆𝒂𝒅𝒆'𝒔 𝒅𝒓𝒆𝒂𝒎𝒔 𝒎𝒂𝒚 𝒉𝒂𝒗𝒆 𝒓𝒆𝒎𝒂𝒊𝒏𝒆𝒅 𝒖𝒏𝒓𝒆𝒂𝒍𝒊𝒛𝒆𝒅, 𝒉𝒊𝒔 𝒗𝒊𝒔𝒊𝒐𝒏 𝒍𝒊𝒗𝒆𝒔 𝒐𝒏, 𝒊𝒎𝒎𝒐𝒓𝒕𝒂𝒍𝒊𝒛𝒆𝒅 𝒊𝒏 𝒃𝒓𝒖𝒔𝒉𝒔𝒕𝒓𝒐𝒌𝒆𝒔 𝒐𝒇 𝒖𝒏𝒑𝒂𝒓𝒂𝒍𝒍𝒆𝒍𝒆𝒅 𝒃𝒆𝒂𝒖𝒕𝒚 𝒂𝒏𝒅 𝒅𝒆𝒑𝒕𝒉.