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The Blue Veil Poster
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60.96 cm x 81.28 cm (24"x32")
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The Blue Veil Poster
The Blue Veil
Edmund Tarbell(1862-1938)
Medium: Oil on canvas
Year: 1898
Recommended printing size at 300 PPI: 12x16 in
Maximum at 100 PPI: 36x48 in
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Edmund Charles Tarbell (April 26, 1862 – August 1, 1938) was an American Impressionist painter. He was a member of the Ten American Painters.
Tarbell was born at West Groton, Massachusetts, to a family that arrived from England in 1647. His father, Edmund Whitney Tarbell, died in 1863 after contracting typhoid fever while serving in the Civil War. His mother, Mary Sophia Fernald, thereupon remarried to David Frank Hartford and moved with him to Milwaukee, Wisconsin, leaving young "Ned" and his sister, Nellie Sophia, to be raised by their paternal grandparents in Groton.
As a youth, Tarbell took evening art lessons from George H. Bartlett at the Massachusetts Normal Art School. Between 1877 and 1880, he apprenticed at the ForbesLithographic Company in Boston. In 1879, he entered the School of the Museum of Fine Arts, Boston, studying under Otto Grundmann. Matriculating in the same class were two other future members of the Ten American Painters, Robert Reid and Frank Weston Benson.
Because of his talent, Tarbell was encouraged to continue his education in Paris, France, then centre of the art world. Consequently, in 1883 he entered the Académie Julian to study under Gustave Boulanger and Jules-Joseph Lefebvre. Paris exposed him to an academic training, which invariably included copying Old Master paintings at the Louvre Museum, but also to the Impressionism movement then sweeping the city's galleries. That duality would imprint his work. In 1884, Tarbell's education included aGrand Tour to Italy, and then again the following year to Italy, Belgium, Germany and Brittany.
Tarbell returned to Boston in 1886, earning a living as an illustrator, private art instructor and portrait painter. He married Emeline Souther, member of a prominent Dorchester, Massachusetts family, in 1888. In 1889, Tarbell assumed the position of his former mentor, Otto Grundmann, at the Museum School, where he was a popular teacher. He gave his pupils a solid academic art training—before they learned to paint, they had to render from plaster casts of classical statues. These students included Margaret Fitzhugh Browne, among others. So pervasive was his influence on Boston painting that his followers were dubbed "The Tarbellites." In 1914 he co-founded The Guild of Boston Artists, and served as its first president through 1924; in 1919, Tarbell became principal of the art school at the Corcoran Gallery of Art in Washington, DC.
An 1891 painting entitled In the Orchard established his reputation as an artist. Many still consider the work his masterpiece. It depicts his wife with her siblings at plein air leisure. Tarbell became famous for impressionistic, richly-hued images of figures in landscapes. His later work shows the influence of Johannes Vermeer. Here, he typically portrays figures in genteel Colonial Revival interiors, executed with restrained brushwork and colour.
Throughout his career, Tarbell's wife and four children (Josephine, Mercie, Mary and Edmund A.) would be his most convenient models. The resulting paintings chronicle their lives.
He limned portraits of many notables of his day, including industrialist Henry Clay Frick, Yale University President Timothy Dwight, and U.S. Presidents Woodrow Wilson, Calvin Coolidge and Herbert Hoover.
While teaching at the Museum School in Boston, Tarbell lived first in Dorchester, and later at the former Hotel Somerset in Boston, not far from his atelier in the Fenway Studios on Ipswich Street. In 1905, he bought a summer house in New Castle, New Hampshire, an island on the Atlantic coast to which he eventually retired.
Tarbell's paintings hang in numerous American art collections and museums, including the White House.
Credit: Adapted from Wikipedia
All information is provided for educational purposes only.
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5 out of 5 stars rating
By S.17 January 2013 • Verified Purchase
Print, Size: 58.42cm x 67.37cm, Media: Value Poster Paper (Semi-Gloss)
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I like the design features on the website. They enable the fitting of a good quality Print to an existing frame.
This Print was of excellent quality. I would buy again.
One small gripe is that the image was not centred horizontally (about 3mm out) so needed trimming. No great hardship and may have been my fault in the setting-up.
Next time, I would choose to set the text below the picture to a smaller font.
Overall - Thank You! Looks good in its frame - Just as expected. I had a very expensive Gallery print of this before. It got damaged - hence the replacement. It compares very well.
5 out of 5 stars rating
By A.26 April 2018 • Verified Purchase
Print, Size: 33.02cm x 48.26cm, Media: Value Poster Paper (Semi-Gloss)
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Would highly recommend as very helpful. Prints...just perfect 😀
5 out of 5 stars rating
By A N.8 January 2022 • Verified Purchase
Print, Size: 50.80cm x 40.64cm, Media: Value Poster Paper (Semi-Gloss)
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Zazzle's pictures are Amazing - I can't find these Products in the type of papers I need anywhere else. They cut them to the exact size you need , often changing the proportions to your exact requirement,
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Incredible Company - The prices are Great and so much to choose from. The Prints are clear and well Defined.
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Product ID: 228873105152093441
Created on 09/12/2009, 18:49
Rating: G
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