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The Widow by Frederick Dielman, typical Kitch art Poster

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The Widow by Frederick Dielman, typical Kitch art Poster
Designed for youby Vintage shop
61 cm x 61 cm (24" x 24")
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About This Product
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Paper Type: Value Poster Paper (Matte)

Your walls are a reflection of you. Give them some personality with your favourite quotes, abstract art or beautiful photography on posters printed by Zazzle! Choose from up to 5 unique paper types and several sizes to create art that’s a perfect representation of you.

  • 122 gsm, 0.19 mm thick poster paper
  • Matte finish with a smooth surface
  • Economical option that delivers sharp, clean images with stunning colour and vibrancy
  • More paper types available under "Paper Options"
  • Add a premium quality frame as an essential accessory
About This Design
available on 9 products
The Widow by Frederick Dielman, typical Kitch art Poster
Frederick Dielman (25 December 1847 – August 25, 1935) was a German-American portrait and figure painter. Biography He was born in Hanover, Germany. He was taken to the United States in early childhood. He graduated from Calvert College in New Windsor, Maryland, in 1864, and from 1866 to 1872 served as a topographer and draughtsman for the U.S. Army Corps of Engineers in Fortress Monroe and Baltimore, and in the survey of canal routes over the Alleghanies in Virginia. He then studied under Wilhelm von Diez at the Royal Academy at Munich where he received a medal in the life class. He opened a studio in New York City, where he worked at first as an illustrator of books and magazines, and became a distinguished draughtsman and painter of genre pictures. He was one of the original members of the Society of American Artists, was made a National Academician in 1883, and was also a member of the American Water Colour Society, the New York Etching Club, and the Salmagundi Club. He was president of the Arts Federation of New York. In 1899, he was elected president of the National Academy of Design. In 1903, Dielman became professor of drawing at the College of the City of New York and about the same time was made director of the art schools at Cooper Union. He made major contributions to deluxe editions of works by Longfellow, Hawthorne, George Eliot, and other writers, and to the various publications of the Tile Club, of which he was a member. His mural decorations and mosaic panels for the Library of Congress in Washington are noteable. Among his pictures shown at National Academy exhibitions were “The Patrician Lady” (1877), “Young Gamblers” (1885), and a “Head” (1886). One of the best known of his illustrations is that entitled “A Girl I Know.”
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